This unflinching autobiography by Mac Rebennack, aka Dr. John, with Rummel (Malcolm X, 1989) gives a firsthand account of New Orleans street life and musical history in the last few decades. Rebennack began frequenting New Orleans music clubs at an early age. In the '50s he dropped out of high school and devoted himself to playing the piano and guitar. While developing his music he also developed a taste for heroin and other drugs. Musicians in the New Orleans scene provided entertainment for ``turistas'' and, in the early morning hours, for pimps, prostitutes and thieves. To supplement their income, musicians also engaged in some of these vocations. Rebennack admits to participating in many shady dealings: He disposed of fetuses for an abortionist, held stick- ups, and conspired to, but evidently did not, murder. After a stint in prison on narcotics charges, he cast himself as Dr. John, based on the 19th-century conjurer by that name, and played distinctly New Orleans music in a wild stage show that featured snake handling and black magic. Dr. John's music became popular with the '60s counterculture. Rebennack also played as a sideman throughout his career with a catalog of music greats—some obscure and some well- known, such as Little Richard and Professor Longhair; considering the ``narcotic haze'' in which he often found himself, he remembers many details from sessions. Rebennack, however, has no respect for fame without musical skill—he refers to the group Iron Butterfly as ``Iron Butterfingers.'' Taken advantage of by unscrupulous music business executives and strung out on heroin for 34 years, he tells a tough tale. A life this varied and chaotic is hard to translate into a linear story. Though Rebennack's prose sometimes rambles, he gives the reader a perspective that most tourists to Bourbon street never see.
Pub Date: April 21, 1994
ISBN: 0-312-10567-3
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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