bookshelf

NASHVILLE 1864

Name: NASHVILLE 1864
Author: Madison Jones
ISBN: 1-879941-35-X

THE DYING OF THE LIGHT

by Madison Jones ‧ RELEASE DATE: May 15, 1997

bookshelf

A somber, spare portrait of the Confederacy's twilight, as witnessed by a 12-year-old. The plot has the simplicity of a folk tale. Steven Moore sets out to find his father, a soldier, on the eve of a great battle, and becomes an eyewitness to the carnage. Jones, the author of seven previous novels (To the Winds, 1996, etc.), has the measured cadence of southern voices down perfectly. The book is purportedly a memoir written by Moore decades after the events it describes, as he seeks to make sense of what he experienced. In December 1864, the ragged, shell-shocked Confederate army under Gen. Hood moves to confront the Union forces outside Nashville. Steven's younger sister is seriously ill, his mother exhausted, their farm, close to Nashville, menaced by Union forces, so he decides to bring his father, an officer in Hood's forces, home. He takes Dink, one of his family's slaves, with him. Dink, who is Steven's age, views the trip, at first, as a curious adventure. But their encounter with a black Union soldier, who tells Dink that he is free, confuses and disturbs him. The boys reach Hood's army just as the battle of Nashville begins. Steven discovers that battles are entirely unlike his imaginings: They are confused, bloody, terrifying events. Dink is killed, and a wounded Steven begins a hallucinatory journey with the retreating Confederates. These scenes have a raw power and harsh originality that set them apart from most recent fiction about the War. The narrative, though, suffers by seeming so entirely partisan. Dink is a cipher. The grown Steven's rhapsodic celebration of the Confederate soldier, and his defense of slavery- -while perfectly believable in this character—diminish the book's power somewhat. The story would have benefitted from some authorial distance. It seems, finally, too partisan to be entirely compelling. A flawed but intermittently powerful work.

Pub Date: May 15, 1997

ISBN: 1-879941-35-X

Page Count: 144

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

Categories:

GENERAL FICTION

bookshelf

BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

bookshelf

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

bookshelf

THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

bookshelf

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.