by Madison Jones ‧ RELEASE DATE: May 21, 1996
Born-and-bred southerner Jones, author of six previous novels (Last Things, 1989, etc.), imparts an authentic redneck flavor to this way overplotted but nonetheless amusing tale of one family's woes and ultimate downfall in the Appalachian foothills. It's the 1950s, and just outside Riverton, in eastern Tennessee, the Moss family is trying to make ends meet—or at least some of them are. Partly the trouble is that everyone for miles around sees the family as worthless white trash; partly it's also that out of them all—Mama, Daddy, and the eight kids—only Mama, Eve, Coop, and Chester (who narrates) have any sense at all. Daddy's a dimwit and full of lame-brained, money-making schemes; Dud and Stack are lumbering fools; Mabel and Dorcas have hardly a brain between them; and Bucky is in fact brain-damaged (though he's the only one of the Moss men who earns any money). Chester wants more out of life for himself and his siblings, as do Coop and Mama, but clearly the cards are stacked against them. Then, after long- lost Uncle Clarence shows up and is promptly murdered by the relentless Sheriff Tipps (whose hatred of the Moss family is never fully explained), an even steeper downward spiral of trouble begins. Dorcas, the only beautiful Moss sister, falls in with the wrong crowd and ends up pregnant; Stack becomes an example at the evil hand of Tipps; and even Coop winds up in big trouble when the death of the fortune-teller Madame Shula is pinned firmly on him. By the time the Moss family lose their farm, even Chester's hopes have dwindled, and the story ends with a whimper as the surviving Mosses either move into a dismal trailer or flee the scene. Jones manages to make what could be just another quirky-white- trash-characters assembly-line output into a flawed but often funny novel worth reading for laughs, if not enlightenment.
Pub Date: May 21, 1996
ISBN: 1-56352-278-0
Page Count: 320
Publisher: Longstreet
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1996
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BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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