Brave, accomplished and utterly compelling, seamed with passages of haunting, lyrical beauty.


Bell follows up his Haitian trilogy (The Stone that the Builder Refused, 2004, etc.) with a novel of the Confederacy.

Born in poverty, Nathan Bedford Forrest created his own fortune, earned a reputation for inborn military genius and rose to national fame. A self-made man from a hardscrabble background, Forrest was a particularly American figure, and monuments bearing his stony image still dot the American landscape. But he was also a slave trader, a Confederate general and a founding leader of the Ku Klux Klan—at first glance a most unlikely subject for Bell, best known for chronicling a slave-led revolution in three critically praised novels. But it turns out the author is eminently suited for producing an informed, nuanced and not unsympathetic portrait of a man mostly remembered today as a patron saint of white supremacists. Bell puts Forrest in context, re-creating a society in which the enslavement of blacks by whites is traditional and uncontroversial, an unquestioned part of the natural order. Echoing his past work, the author creates a counterpoint to his protagonist in Henri, a Haitian who travels to the United States to stir a slave rebellion but ends up fighting alongside Forrest. Henri brings a Creole perspective and a distinctly African spirituality to the narrative. Bell imagines Forrest’s interactions with Henri and the other black men who follow him, including one who is his son, as well as his relationships with household slaves and the black woman who becomes his longtime mistress. In doing so, he reveals the complexity and range of interracial interaction possible in the Old South. Some will argue that Forrest hardly deserves humanizing, and that argument has merit. But Bell has chosen to exercise one of the novelist’s greatest gifts: He makes an alien world real and, in so doing, reminds us that slavery was not a spontaneous, supernatural evil, but the product of a particular cultural environment.

Brave, accomplished and utterly compelling, seamed with passages of haunting, lyrical beauty.

Pub Date: Nov. 3, 2009

ISBN: 978-0-375-42488-5

Page Count: 352

Publisher: Pantheon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2009

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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