A warmly intelligent and insightful collection.
An Irish comic and writer gathers essays about her experiences living and working in the United States.
In this sharp and readable book, Higgins (We Have a Good Time…Don’t We?, 2013, etc.) tells the story of how she came to America as an adult still learning how to go about “the endlessly tricky business of being a regular human being.” In “Rent the Runway,” for example, she details her experience of renting a decidedly unmagical—but more affordable—second-choice gown for her first New York ball. The process uncovered all of the author’s personal insecurities, but a moment of grace at the ball made her realize that she was more than just her attire. In “Pen as Gun,” Higgins turns her attention to her profession, discussing an especially memorable experience leading a comedy workshop in Iraq. Working with Muslim comics who spoke truth to power made her acutely aware of “the sliver of shared space between comedy and tragedy,” and it gave her insight into the dark humor of her Northern Irish counterparts. A keen observer of culture, the author offers timely insights about race and immigration in America. In “Aliens of Extraordinary Ability,” she describes how Irish-American nostalgia often imagines an Ireland that never existed; at the same time, she muses on the privilege her “indoor ghost face” has conferred on her in America. Higgins points out how early Irish immigrants learned how to collaborate in the oppression of other minorities to get ahead but how descendants like Mike Pence continue to ignore the crucial role race played in their ascension to (white) success. Her own commitment to truth before humor emerges clearly in “Wildflowers.” Unable to keep a promise to a producer that she would turn a podcast about immigration into comedy fluff, the author lost the show but maintained her integrity. Witty, humane, and topical, these essays offer an enlightened perspective on modern American culture while probing the energetic inner life of a bright young Irish comic.
A warmly intelligent and insightful collection.Pub Date: Aug. 7, 2018
ISBN: 978-0-14-313016-1
Page Count: 256
Publisher: Penguin
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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