by Maeve Higgins ‧ RELEASE DATE: Aug. 7, 2018
A warmly intelligent and insightful collection.
An Irish comic and writer gathers essays about her experiences living and working in the United States.
In this sharp and readable book, Higgins (We Have a Good Time…Don’t We?, 2013, etc.) tells the story of how she came to America as an adult still learning how to go about “the endlessly tricky business of being a regular human being.” In “Rent the Runway,” for example, she details her experience of renting a decidedly unmagical—but more affordable—second-choice gown for her first New York ball. The process uncovered all of the author’s personal insecurities, but a moment of grace at the ball made her realize that she was more than just her attire. In “Pen as Gun,” Higgins turns her attention to her profession, discussing an especially memorable experience leading a comedy workshop in Iraq. Working with Muslim comics who spoke truth to power made her acutely aware of “the sliver of shared space between comedy and tragedy,” and it gave her insight into the dark humor of her Northern Irish counterparts. A keen observer of culture, the author offers timely insights about race and immigration in America. In “Aliens of Extraordinary Ability,” she describes how Irish-American nostalgia often imagines an Ireland that never existed; at the same time, she muses on the privilege her “indoor ghost face” has conferred on her in America. Higgins points out how early Irish immigrants learned how to collaborate in the oppression of other minorities to get ahead but how descendants like Mike Pence continue to ignore the crucial role race played in their ascension to (white) success. Her own commitment to truth before humor emerges clearly in “Wildflowers.” Unable to keep a promise to a producer that she would turn a podcast about immigration into comedy fluff, the author lost the show but maintained her integrity. Witty, humane, and topical, these essays offer an enlightened perspective on modern American culture while probing the energetic inner life of a bright young Irish comic.
A warmly intelligent and insightful collection.Pub Date: Aug. 7, 2018
ISBN: 978-0-14-313016-1
Page Count: 256
Publisher: Penguin
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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