CHOCOLATE MOOSE

A chocoholic moose misreads “mouse” on a help-wanted sign and ends up working at Mrs. Mouse’s bakery. A moose in a mouse-sized bakery is as welcome as a bull in a china shop, though. Moose continually makes messes and mistakes; incredibly, Mrs. Mouse is endlessly patient and is as clever as she is diplomatic, finally finding a solution by putting Moose to work as a babysitter. Despite the use of colorful onomatopoeia (“Slurp, gulp, burp!”) and overall silliness, the story is essentially bland and the illustrations confusing. The soft colors and lines give many things a charming, cuddly quality—in fact, Moose is portrayed as a stuffed toy—but the mice are all drawn realistically (in anthropomorphized, Beatrix Potter fashion). His sandwiches for the children are big enough for a moose yet he’s using equipment and supplies that are as tiny as mice. All his disasters are due to being oversized, but he somehow settles in a chair that is just right. The sweet message of friendship and sugary illustrations cannot overcome the book’s basic illogic. (Picture book. 3-5)

Pub Date: Jan. 20, 2011

ISBN: 978-0-525-42202-0

Page Count: 32

Publisher: Dutton

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Dec. 1, 2010

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Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug.

THE HUG

What to do when you’re a prickly animal hankering for a hug? Why, find another misfit animal also searching for an embrace!

Sweet but “tricky to hug” little Hedgehog is down in the dumps. Wandering the forest, Hedgehog begs different animals for hugs, but each rejects them. Readers will giggle at their panicked excuses—an evasive squirrel must suddenly count its three measly acorns; a magpie begins a drawn-out song—but will also be indignant on poor hedgehog’s behalf. Hedgehog has the appealingly pink-cheeked softness typical of Dunbar’s art, and the gentle watercolors are nonthreatening, though she also captures the animals’ genuine concern about being poked. A wise owl counsels the dejected hedgehog that while the prickles may frighten some, “there’s someone for everyone.” That’s when Hedgehog spots a similarly lonely tortoise, rejected due to its “very hard” shell but perfectly matched for a spiky new friend. They race toward each other until the glorious meeting, marked with swoony peach swirls and overjoyed grins. At this point, readers flip the book to hear the same gloomy tale from the tortoise’s perspective until it again culminates in that joyous hug, a book turn that’s made a pleasure with thick creamy paper and solid binding.

Watching unlikely friends finally be as “happy as two someones can be” feels like being enveloped in your very own hug. (Picture book. 3-5)

Pub Date: April 2, 2019

ISBN: 978-0-571-34875-6

Page Count: 48

Publisher: Faber & Faber

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Good bedtime reading.

POLAR BEAR ISLAND

Only polar bears are allowed on Polar Bear Island, until Kirby, a friendly, creative penguin, arrives on the scene.

On the verso of the first double-page spread, large white lettering proclaims against an azure sky: “Polar Bear Island was peaceful and predictable. Parker, the mayor, planned to keep it that way.” Below, Parker—paint can in left paw—can be seen facing his sign: “Welcome to Polar Bear Island. No Others Allowed.” On the recto, Kirby floats into view on an ice floe, with hat, scarf, and overstuffed suitcase. When Kirby arrives, Parker grudgingly allows her an overnight stay. However, she soon proves her worth to the other bears; she has invented Flipper Slippers, which keep extremities warm and reverse from skates to snowshoes. Now Kirby is allowed to stay and help the bears make their own Flipper Slippers. When her family shows up with more inventions, Parker feels compelled to give them a week. (Presumably, the penguins have made the 12,430-mile-trip from the South Pole to the North Pole, characterized merely as “a long journey.”) A minor crisis permanently changes Parker’s attitudes about exclusivity. The text is accessible and good fun to read aloud. The weakness of the ostensible theme of granting welcome to newcomers lies in the fact that all the newcomers are immediately, obviously useful to the bears. The cartoonlike, scratchboard-ish graphics are lighthearted and full of anthropomorphic touches.

Good bedtime reading. (Picture book. 3-5)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4549-2870-6

Page Count: 32

Publisher: Sterling

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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