A skillfully written novel of manners, with quiet domestic drama spiced with fine comic moments. The payoff is priceless,...

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INSTRUCTIONS FOR A HEATWAVE

A sometimes-brooding but always sympathetic novel, by prize-winning British writer O’Farrell, of a family’s struggles to overlook the many reasons why they should avoid each other’s glances and phone calls.

Hot town, summer in the city. As anyone who’s seen Spike Lee’s Do the Right Thing will recall, all it takes is a little fire, and a city will turn into a frying pan. So it is in the London of 1976: “For ten days now the heat has passed 90ºF. There has been no rain—not for days, not for weeks, not for months.” This does not keep Gretta Riordan, dutiful and uncomplaining, from rising early to bake soda bread. Desiccated Irish transplant Robert Riordan, though, takes a look at his suburban life, wife and family and makes his way to cooler and greener pastures without them. Has the heat addled his brain? Is he doing the only sensible thing possible? When his children converge to suss out what Da has done, they have no answers. Meanwhile, all of them are on the run from themselves: Michael, a schoolteacher, has a wife who’s taken to sheltering herself in the attic, away from her own children. Monica, the favorite (“Not even her subsequent divorce—which caused seismic shockwaves for her parents—was enough to topple her from prime position.”), is on the edge of a scream at any given minute. The baby, Aoife (pronounced “precisely between both ‘Ava’ and ‘Eva’ and ‘Eve,’ passing all three but never colliding with them”) has been off in New York, nursing a very strange secret. In other words, no one’s quite normal, which is exactly as it is with every family on Earth—only, in the case of the Riordans, a little more so. O’Farrell paints a knowing, affectionate, sometimes exasperated portrait of these beleaguered people, who are bound by love, if a sometimes-wary love, but torn apart by misunderstanding, just like all the rest of us.

A skillfully written novel of manners, with quiet domestic drama spiced with fine comic moments. The payoff is priceless, too.

Pub Date: June 18, 2013

ISBN: 978-0-385-34940-6

Page Count: 304

Publisher: Knopf

Review Posted Online: June 9, 2013

Kirkus Reviews Issue: June 15, 2013

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in...

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LITTLE FIRES EVERYWHERE

This incandescent portrait of suburbia and family, creativity, and consumerism burns bright.

It’s not for nothing that Ng (Everything I Never Told You, 2014) begins her second novel, about the events leading to the burning of the home of an outwardly perfect-seeming family in Shaker Heights, Ohio, circa 1997, with two epigraphs about the planned community itself—attesting to its ability to provide its residents with “protection forever against…unwelcome change” and “a rather happy life” in Utopia. But unwelcome change is precisely what disrupts the Richardson family’s rather happy life, when Mia, a charismatic, somewhat mysterious artist, and her smart, shy 15-year-old daughter, Pearl, move to town and become tenants in a rental house Mrs. Richardson inherited from her parents. Mia and Pearl live a markedly different life from the Richardsons, an affluent couple and their four high school–age children—making art instead of money (apart from what little they need to get by); rooted in each other rather than a particular place (packing up what fits in their battered VW and moving on when “the bug” hits); and assembling a hodgepodge home from creatively repurposed, scavenged castoffs and love rather than gathering around them the symbols of a successful life in the American suburbs (a big house, a large family, gleaming appliances, chic clothes, many cars). What really sets Mia and Pearl apart and sets in motion the events leading to the “little fires everywhere” that will consume the Richardsons’ secure, stable world, however, is the way they hew to their own rules. In a place like Shaker Heights, a town built on plans and rules, and for a family like the Richardsons, who have structured their lives according to them, disdain for conformity acts as an accelerant, setting fire to the dormant sparks within them. The ultimate effect is cataclysmic. As in Everything I Never Told You, Ng conjures a sense of place and displacement and shows a remarkable ability to see—and reveal—a story from different perspectives. The characters she creates here are wonderfully appealing, and watching their paths connect—like little trails of flame leading inexorably toward one another to create a big inferno—is mesmerizing, casting into new light ideas about creativity and consumerism, parenthood and privilege.

With her second novel, Ng further proves she’s a sensitive, insightful writer with a striking ability to illuminate life in America.

Pub Date: Sept. 12, 2017

ISBN: 978-0-7352-2429-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: June 20, 2017

Kirkus Reviews Issue: July 1, 2017

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