Very subtle, almost Swiftian, satire that will go over the heads of most Americans—and even those who get it aren’t likely...
Mills’s fourth novel (after Three to See the King, 2001) is a kind of parody of British working-class life, where truck drivers are paid to deliver unneeded auto parts for other drivers to retrieve.
Talk about the Welfare State: The blue-collar yobs who work for the Scheme not only perform no useful labor whatsoever but want to cut corners doing it. The Scheme is a large labor project made up of vans, van drivers, van parts, and van depots. The drivers report to depots at eight in the morning and receive their vans, schedules, and cargoes, which they then drop off at other depots. It may seem like work, but it’s not, really, since all those parts simply circulate and are never used or replenished—rather like the water in a shopping-mall fountain. The Scheme is much admired by the British public and held almost sacred by those who work for it, but there are problems. The workforce is badly divided, with one group (the Flat-Dayers) insisting that no driver should go home early even if he finishes his rounds before five o’clock, and another group (the Swervers) holding that allowing the drivers to head home early will encourage promptness and efficiency. And there is (by British standards) a fair amount of corruption within the ranks—supervisors who wink at drivers hauling private cargoes in exchange for a cut of the goods, and so on. The unnamed narrator is a veteran, having driven for five years, and he tries to keep out of the internal divisiveness and strife, but when the Flat-Dayers call a strike, he’s forced to make his stand. It will cost him trouble either way, not to mention a few friendships, but this is the price of being a decent Briton on the dole.
Very subtle, almost Swiftian, satire that will go over the heads of most Americans—and even those who get it aren’t likely to rupture themselves with laughter.Pub Date: Dec. 1, 2002
ISBN: 0-312-42163-X
Page Count: 176
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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