A striking debut that reveals the breadth of emotional disconnection that prejudice can stoke within a family.
A tale of two French brothers of Syrian descent, one struggling as a rideshare driver, the other back in the Middle East on a (maybe) humanitarian mission.
Guven’s first book, winner of the 2017 Prix Goncourt for a debut novel, is a sharp prodigal-son tale about life on the margins outside of Paris. The “older brother” of the title has grown wise to the ways Muslims like himself are treated in a suburb he calls “the dump of France,” scraping out a living as an Uber driver and occasional police informant, roles that leave him feeling exploited; but his father, a widower and old-line taxi driver, feels that anything is better than his native Syria, which tends to stoke rants about civil war and religion. The “younger brother,” a hospital nurse, has disappeared to the Middle East, "likely right there with the lunatics, at war, on his way to death.” The younger brother weighs in on his fate in alternating chapters, explaining how his urge to make use of his medical skills brought him into, yes, Syria, where he works as a field medic supporting rebels against Bashar al-Assad’s regime. The younger brother is also disillusioned with France, where, despite the inclusive rhetoric after the Charlie Hebdo massacre, Muslims are “less-than-zeros in a society that teaches about equality and tolerance and respect,” and Guven’s novel is largely an exploration of how a shared fury at marginalization can play out in a variety of ways. Kover’s translation highlights the brothers’ differing temperaments: The older one’s street-wise, sarcastic, and jaded, the younger’s more naïve but spiritually righteous. The older brother suspects the younger has returned, prompting his concern that he’s been radicalized. Guven withholds whether that surmise is correct, giving the novel a thriller-ish vibe in its closing pages, but at heart it’s a contemplative story about what siblings owe each other.
A striking debut that reveals the breadth of emotional disconnection that prejudice can stoke within a family.Pub Date: Oct. 8, 2019
ISBN: 978-1-60945-549-1
Page Count: 256
Publisher: Europa Editions
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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