A charming tale that portrays bicultural kindness.
Two girls forge a strong connection during two gift-giving holidays in this debut picture book.
One year, the Muslim holiday Eid and Christmas coincide. Blond-haired Eva’s school honors Christmas by performing A Christmas Carol for an orphanage. Brown-haired Aya’s school celebrates Eid by inviting orphans to have cake and lemonade. Both girls are pleased with what they’ve shared. The next day, the two girls go to the same toy store and get stuck together in an elevator. To help the girls focus on something less scary, Eva invents a game where both guess each other’s presents. But when they finally leave the elevator, the girls rethink their gifts when they remember the orphans and decide to give their presents to others instead. Aya donates hers to a church’s orphanage, and Eva offers hers to an orphanage run by a mosque. Elzein uses simple sentences to convey the story, focusing on the two girls’ budding friendship rather than bogging down the tale with details behind each holiday. The message of compassion and giving, especially across cultural lines, comes through clearly in accessible language for independent and lap readers. Hasan uses kid-friendly digital art to depict both girls as distinct members of their own ethnic groups, and Aya’s mother wears a hijab. (Both religious leaders are men.) Though the story’s location is never revealed, the blooming trees and flowers and an amusement park ride indicate a warm-winter (or Southern Hemisphere) site.
A charming tale that portrays bicultural kindness.Pub Date: Dec. 2, 2020
ISBN: 979-8-57-505527-3
Page Count: 32
Publisher: Self
Review Posted Online: July 2, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Review Program: Kirkus Indie
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
