An occasionally profound novel that takes risks with language and readers’ patience.
Teenage cousins get the jump on the aviation age in 1930s Montana.
In an opening suggesting a Disney-esque Western adventure, Houston "Huck" Finn, a 14-year-old engineering prodigy in Big Coulee, Montana, designs his own glider, wrecks it in a ballfield, then turns to his next project—building, in his father Roy’s smithy, a prop airplane powered by a Ford engine and, later, supercharged with vacuum cleaner parts. Brooks' singular style, evoking the ornate vernacular of a cowboy poet, does not quite distract from the fact that we’re going deep—too deep—into the mechanics of any practical challenge that might arise, such as retrieving a gangster’s body from a trout stream with an ingenious pulley system. Huck and his bookish pal, Raleigh, find a Lindbergh flight watch on the body, and Huck can’t resist hoarding this talisman of his idol. That watch provides the key to a mystery plot that quickly fades into irrelevance. Huck’s 18-year-old cousin, Annelise, newly arrived from California, sports an identical watch, on loan from her flight instructor and first lover. Annelise’s “ruin” is the reason her mother has exiled her to Montana. Her maternal Aunt Gloria, Huck’s mother, worships charismatic preacher Aimee Semple McPherson almost as much as Annelise adores Amelia Earhart, who, as this novel’s convoluted and multivoiced action unfolds, vanishes over the Pacific. Annelise will test-pilot Huck’s new rig and court new ruin with Roy’s assistant, McKee, a former member of the Church of Jesus Christ of Latter-day Saints. However, she’s sometimes arbitrarily sidelined, as is Gloria, who spends long stretches of the novel in Bible-thumping seclusion at the family ranch. But Brooks won’t let any of his characters be marginalized, or stereotyped, for long. The backstories of Roy, McKee, and Gloria are a vivid, anecdotal compendium of Western disgrace and glory. Although the flight scenes are majestic, they’re often truncated by excessively detailed preflight tinkering. Amid all the eloquence, history, scenery, and how-to, forward momentum stalls.
An occasionally profound novel that takes risks with language and readers’ patience.Pub Date: March 9, 2021
ISBN: 978-0-8021-2705-1
Page Count: 400
Publisher: Grove
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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