It’s a sight better than The Bridges of Madison County, but it’s a kindred project: Boy meets girl under open sky, boy...
A mid-1950s oater that wants to come over all cowboy and sensitive at the same time.
Catherine Lemay, the heroine of Brooks’ debut, is a young archaeologist who’s seen the aftermath of war poking around in the rubble of London. John H—she thinks it could stand for “horses,” but “hell raiser” is a reasonable candidate—rides the Western fence line, following the mustangs. He’s known war up close, a member of the last American horse cavalry unit to see combat, fighting the Germans in Italy. It stands to reason that, Montana being a small state and all, they’ll meet and become intertwined like two wind-blasted strands of barbed wire. When Mr. H funs, he funs, but when he and Catherine get serious, well….There’s plenty to be serious about apart from sad reflections on the war, for a dam is coming to the coulee in which the mustangs run, and both Catherine and John H have to make a stand: Do they serve progress, or do they fight for what’s real about the West? Brooks does a good job of plotting, following parallel stories that speak to that large question through characters who are more than just symbols—though they’re that, too. There’s some fine writing here, especially when it comes to horses and the material culture that surrounds them, and when it comes to Western landscapes, too, for Brooks knows that in good Western writing, the land is always a character. There’s also some overwriting, along the lines of “[s]he wanted Audrey Williams to keep talking, wanted to know her story too, the fragments and pieces and the buried mysteries, wanted the whole vicarious treasure of it.” A little of that goes a long way, especially when Brooks places himself inside Catherine’s head—and, from time to time, elsewhere in her body.
It’s a sight better than The Bridges of Madison County, but it’s a kindred project: Boy meets girl under open sky, boy kisses girl, girl emotes, and then it’s a whole new shooting match.Pub Date: Aug. 5, 2014
ISBN: 978-0-8021-2164-6
Page Count: 336
Publisher: Grove
Review Posted Online: July 1, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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