Despite some vagueness and inconsistency, this visual treat could be surprisingly successful for self-soothing.
Feelings link with colors in conjunction with meditation techniques.
Children are enjoying a meadow. They’re chasing butterflies, examining ladybugs, eating ice cream, feeling the breeze, reclining on the grass. The racially diverse kids seem simultaneously peaceful and energized. Chopra connects physical sensations with emotions: “Have you ever felt butterflies in your stomach when you are scared…?” (The notion that butterflies might also indicate excitement is missing, though tingling hands could be such an indicator.) Asserting that “when you know how your body reacts to your feelings, you can control your reactions and feel powerful,” the text assigns a color for each feeling and a suggestion for control. Breath awareness is yellow. Red wafts through the scene about groundedness: “Feel your bottom resting under you. Do you feel how the chair or floor is strong and stable?” Readers who don't know their chakras may find some surprises. Coding safety as red is nonstandard in the U.S. (doesn’t red signal danger or stop?), as is, arguably, coding the heart-based feelings of happiness and sadness as green; these striking hue associations could be difficult to jump into—or they could be the hook. There’s some murkiness and irregularity in the connections among metaphor, physical sensations, and emotional feelings. However, Burton’s illustrations of swirling colors, keen-edged characters, just enough rainbows, and gently enchanting backgrounds—bananas and pie float through yellow’s “I am strong” spread—really do bring a sense of wonder and power.
Despite some vagueness and inconsistency, this visual treat could be surprisingly successful for self-soothing. (Picture book. 4-9)Pub Date: July 20, 2021
ISBN: 978-0-7624-9904-5
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
A satisfyingly cozy winter holiday tale.
The protagonist of The Little Ghost Who Was a Quilt (2020) enjoys a “boo-tiful” holiday.
The titular spirit—comprised of a patterned quilt rather than a plain white sheet like his peers—loves drifting outside in the cold. His heavier fabrics may slow him down the rest of the year, but in winter they keep him warm enough to enjoy the outdoors while his friends remain inside. One December evening, while visiting the human neighborhood, he notices people singing and putting up twinkling lights (amid the Christmas decorations, one window features a menorah). The little ghost quilt is happy for himself but sad that his pals aren’t witnessing all this, too. The sight of a holiday tree inspires him: He’ll bring a tree to his friends! A branch that blows off during a snowstorm will do nicely. For ornaments, he uses odds and ends from the attic of his house. And when his friends arrive at his home that night, everyone decorates the tree together. The moon, peeping through the window and reflecting off a mirror from the attic, provides the glorious pièce de résistance: The make-believe tree glows brilliantly. This quietly lovely holiday tale underscores the true meaning of the holidays: friendship and togetherness. The illustrations rely on a muted palette with spots of vivid colors; like a quilt, they’re soft and delicate. Human characters vary in skin tone.
A satisfyingly cozy winter holiday tale. (Picture book. 4-7)Pub Date: Aug. 26, 2025
ISBN: 9781774885376
Page Count: 48
Publisher: Tundra Books
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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