A tour de force.




Tim Acree, Brooklyn barkeep's boy, merchant sailor, entomologist, aka Professor Aloysius, flea-circus ringmaster, lies dead, a suicide, at the bottom of a tenement air shaft. And Isabelle Oystershifl mourns.

Keifetz's (Corrido, 1998) second novel, the winner of the 2010 AWP Award, simply dazzles. Izzy, a math geek, always reliant on "the sweet bounds of cold, clean, reason," now realizes that "my great belief has been in my love for Timmy." Izzy works for a large bank, but she isn't defined by her cubicle. Her connection with Tim shaped her world, soothed her psyche and soul. Now Tim's unexplained suicide, a leap into the abyss without word or note of despair, has unhinged Izzy. The novel is 23 chapters, titled with word-names beginning with letters from "A" to "W." The first is Altamont, the name of the couple's cat, and within it Keifetz delves into the human body falling "at 32-feet-per-second per second," the tenement where the two met and lived, the cat hoarder from whom they pilfered Altamont and a brief biographical sketch of Tim. And so it goes until Izzy arrives at "W," for the Wall, a concrete buttress near her childhood home. All that Izzy believes, all that surrounds her, all that she conjures up in her misery becomes a metaphor for Tim, for their love, for her life without him. Attempting to cope, Izzy plays classic logic games, contemplates William Blake, regards the evolution of megafauna. Sharing her world is Mark, Tim's bar-owner brother, who attempts to draw Izzy from despair, and Dr. Edward "Pudge" Goroguchi, another entomologist, inventor of the flea-breeding artificial dog, and owner of an Izzy-coveted dream car, a 1971 Plymouth Road Runner. Goroguchi becomes Izzy's lover, each of them fulfilling an oblique longing beyond love, despair and sex. The novel takes the reader to the dark place where reason and love collide and collapse under the oppressive weight of loss.

A tour de force.

Pub Date: Jan. 1, 2012

ISBN: 978-1-936970-04-9

Page Count: 202

Publisher: New Issues

Review Posted Online: Nov. 22, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.


In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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