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THE FOLDED NOTES

A sometimes-corny love story, but its historical details keep it from being run-of-the-mill.

In this historical romance set against the 1898 construction of the Kenya-Uganda Railway, a budding relationship is complicated by meddling family members, jealous suitors, and man-eating lions.

When Catherine Rose and her mother, Ethel, arrive at the unfamiliar train station in Lahore, India, Catherine’s father, Gilbert, fails to meet them as planned. Luckily, the panicky young woman stumbles into a young Sikh man named Kharak for a meet-cute, and she’s relieved to find that he speaks English and seems trustworthy. An immediate friendship and attraction blossoms as Kharak helps the two women to their destination. At the Shalimar Gardens and other trips around Lahore, Catherine and Kharak fall in love, much to the chagrin of her prejudiced and pompous father and Ivan Freeman, the arrogant suitor who’s staying with the Roses. Ivan immediately concocts a plan to keep the lovers apart, arranging for Kharak to be sent to work in another British colony, effectively cutting off the budding relationship. Catherine then secretly embarks on the greatest adventure of her life, following Kharak all the way to Mombasa, Kenya, in pursuit of love. But Ivan still means to keep the two apart by any means necessary, and the Tsavo region, where Kharak is stationed, has terrors of its own. The book’s cross-cultural relationship is refreshing, and its peek into sites around Lahore is delightful. A wedding celebration that the two main characters attend one evening is particularly lively. The characters are a bit underdeveloped, and the author’s style of revealing characters’ thoughts often feels like caricature, particularly in the case of Ivan: “Not only do I love pretty things, but I must have them at all costs!” Catherine and Kharak, however, are undeniably good-hearted. Although much about the story is predictable, the dangers encountered by the love-struck couple become steadily more engrossing as it unfolds.

A sometimes-corny love story, but its historical details keep it from being run-of-the-mill.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Metador

Review Posted Online: Nov. 1, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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