The human capacity to reach out to those who suffer is lovingly and inspiringly rendered. (Picture book. 4-8)

READ REVIEW

MY HEART WILL NOT SIT DOWN

A moment of communal compassion is remembered in this fictionalized retelling of a too-little-known tale.

When little Kedi learns from her Cameroon village’s teacher that the people of New York are starving thanks to the Great Depression, she can’t get the problem out of her head. Determined to help the hungry children overseas, Kedi appeals to all the people of her village, only to be rebuffed. No one has enough money to pay the colonial head tax, let alone spare riches for an unknown poor. Downcast, Kedi returns to school, only to discover that her efforts to open the hearts of her neighbors have worked beyond her wildest hopes. Rockliff’s recap of this true 1931 incident taps into the wonder of altruism toward total strangers. An author's note explaining not just the story’s background but also similar historical incidents proves to be almost more fascinating than the book itself. All this is accompanied by Tanksley’s lush, vibrantly colored paintings, which take seemingly simple images and render them big, beautiful and bold. They make what might otherwise be a rote story lush.

The human capacity to reach out to those who suffer is lovingly and inspiringly rendered. (Picture book. 4-8)

Pub Date: Jan. 10, 2012

ISBN: 978-0-375-84569-7

Page Count: 40

Publisher: Knopf

Review Posted Online: Nov. 9, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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Both a beautiful celebration of black culture and an excellent first black history book for young children.

BLACK IS A RAINBOW COLOR

A young black child ponders the colors in the rainbow and a crayon box and realizes that while black is not a color in the rainbow, black culture is a rainbow of its own.

In bright paints and collage, Holmes shows the rainbow of black skin tones on each page while Joy’s text describes what “Black is” physically and culturally. It ranges from the concrete, such as “the braids in my best friend’s hair,” to the conceptual: “Black is soft-singing, ‘Hush now, don’t explain’ ”—a reference to the song “Don’t Explain” made popular by Billie Holiday and Nina Simone, the former depicted in full song with her signature camellia and the latter at her piano. Joy alludes throughout the brief text to poetry, music, figures, and events in black history, and several pages of backmatter supply the necessary context for caregivers who need a little extra help explaining them to listeners. Additionally, there is a playlist of songs to accompany reading as well as three poems: “Harlem,” by Langston Hughes, and “We Wear the Mask” and “Sympathy,” by Paul Laurence Dunbar. The author also includes a historical timeline describing some of the names that have been used to describe and label black people in the United States since 1619.

Both a beautiful celebration of black culture and an excellent first black history book for young children. (Picture book. 4-8)

Pub Date: Jan. 14, 2020

ISBN: 978-1-62672-631-4

Page Count: 40

Publisher: Roaring Brook

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A beautiful portrayal of a historic and arduous family journey northward

OVERGROUND RAILROAD

One family’s experience of the Great Migration.

Cline-Ransome and Ransome, a husband-and-wife author-and-illustrator team, have again collaborated on an important story from African American history. Narrator Ruth Ellen, Mama, and Daddy awaken early to travel to New York without the permission or knowledge of the landowner on whose land they sharecrop. (The author’s note mentions that landowners often used threats and violence to keep sharecroppers on the land and perpetually in debt.) The family boards the train with luggage, tickets, and food in a shoebox—since black folks cannot eat in the dining car and must sit in the colored section of the train. The conductor calls out the cities as they progress North. When the conductor removes the “whites only” sign near Baltimore, African Americans can sit wherever they want—though it takes some time before Ruth Ellen and her family find white riders who smile a welcome. Ruth Ellen reads Narrative of the Life of Frederick Douglass aloud to Mama on the train ride, a gift from her teacher that parallels her own family’s journey. Ransome’s watercolor-and-collage illustrations effectively capture both the historical setting and the trepidation of a family who though not enslaved, nevertheless must escape as if they were. Cotton bolls throughout the images accentuate cotton’s economic dominance in the sharecropping system.

A beautiful portrayal of a historic and arduous family journey northward . (Picture book. 4-8)

Pub Date: Jan. 7, 2020

ISBN: 978-0-8234-3873-0

Page Count: 48

Publisher: Holiday House

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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