So well-adapted to the entire series, this could have been the late Tom Clancy’s second novel.
Not “too many months” after dispatching a tricky submarine issue in The Hunt for Red October, young Jack Ryan faces a deadly East German foe.
The trouble starts in 1985, near Area 51 in Nevada, where UFO believers witness a flash in the night sky and anticipate an extraterrestrial visit. Only the East German spy who happens to be among them suspects an earthly explanation. A woman guides him through a mountainous area, where he discovers the remains of a U.S. military aircraft he correctly presumes to be “beyond big” in importance. Making off with a small piece of the wing he must somehow smuggle across the Iron Curtain, he leaves a trail of dead and wounded in his wake. The U.S. suspects that someone has removed a piece of secret radar-absorbing material from the wreckage. Meanwhile in West Berlin, a low-level Foreign Service officer is asked to meet a possible defector, an encounter that takes a terrible turn. Meanwhile (this story has lots of meanwhiles), the East German aeronautical physicist Dr. Uwe Hauptman is doing important research on radar-absorbing surfaces. The CIA suspects it has a mole, whom they code-name Fledermaus. Jack Ryan and Mary Pat Foley cross through Checkpoint Charlie into East Berlin and bypass the “Anti-Fascist Protection Rampart,” known to us bourgeoisie as the Berlin Wall. There, they face a peck of trouble, but luckily, “Ryan wasn't exactly a neophyte when it came to hairy situations,” nor is Foley to be mistaken for a shrinking violet. Cameron is but one of the authors who so skillfully maintains the Clancy legacy that began in the 1980s. The many characters are all spot-on, the scope is wide-ranging, and the action reaches to the dreaded Hohenschönhausen Prison—readers are guaranteed to hate the freckle-faced guard Mitzi Graff as much as they will admire Ryan and Foley.
So well-adapted to the entire series, this could have been the late Tom Clancy’s second novel.Pub Date: Dec. 6, 2022
ISBN: 978-0-593-42275-5
Page Count: 432
Publisher: Putnam
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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