In these pages Springsteen remains, for all his apparent openness, both personally and artistically remote, and Dolan’s...
The Boss’ canon receives trainspotting treatment via his concert appearances and recordings.
Dolan eschews original research in this uncomfortable hybrid of biography and criticism. The rocker’s life has been scrutinized in previous bios by Dave Marsh, Marc Eliot and Robert Santelli, and their work provides the structural backbone of this book. The contours of the tale will be familiar to Springsteen enthusiasts: Jersey Shore bar-band roots, early-’70s cult arrival, popular breakthrough with 1975’s Born to Run, launch to superstardom with 1984’s Born in the U.S.A., etc. Dolan analyzes the musician’s progress primarily via close, grueling readings of Springsteen’s set lists over the course of 40-plus years on stage, amply documented on bootlegs, with additional attention to the oft-protracted genesis of his albums in studio sessions and home recordings. It makes for arduous reading, and Dolan’s conclusions are often suspect. While Springsteen is undoubtedly among the hardest-working live performers in rock history, and his gigs ably combine arena-rock showmanship and a carefully cultivated intimacy and sincerity, his shows and the lengthy raps that stud them only reveal so much about his internal impulses. The author goes to laborious lengths to calibrate minute differences in Springsteen’s shows over the course of individual tours. He also makes a great deal of the slow development of Springsteen’s political and social consciousness, but most of his divinations are based on contorted explications of his concerts and their attendant spiels. Dolan exhibits a frustrating inability to plumb Springsteen’s interior emotional makeup; as in previous tomes, his short-lived marriage to Julianne Phillips and his unexpected metamorphosis into midlife family man with Patti Scialfa remain mystifying.
In these pages Springsteen remains, for all his apparent openness, both personally and artistically remote, and Dolan’s interpretive methodology sheds limited light.Pub Date: June 4, 2012
ISBN: 978-0-393-08135-0
Page Count: 592
Publisher: Norton
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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