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AMERICAN REBEL

THE LIFE OF CLINT EASTWOOD

An adequate reference work, but short on the mystique that makes Eastwood such a compelling subject.

The life and career of the ultimate Hollywood survivor.

Celebrity-bio vet Eliot (Reagan: The Hollywood Years, 2008, etc.) unpacks the legendary career of Clint Eastwood. The author provides scant details of Eastwood’s early life, noting his indifferent academic career and uneventful, middle-class upbringing. After a series of dead-end jobs, including a storied stint as a gas-station attendant, Eastwood, by dint of his angular good looks and strapping frame, slowly broke into the acting business, becoming a national celebrity playing cowboy Rowdy Yates on the long-running Rawhide TV series. His performance as Yates landed him the role of “The Man with No Name” in a series of seminal, operatic westerns directed by Sergio Leone. Eastwood attained worldwide iconic status as a deadly, laconic, grimly ironic prodigy of violence, further cemented by his series of ultraviolent turns as maverick cop Dirty Harry. Eliot declines to make detailed analyses of the films or the actor’s performances, focusing instead on the nuts and bolts of Eastwood’s preternaturally savvy careerist maneuvering and womanizing tendencies. Eastwood comes off as a rather cold, unpleasant character in these respects, using friendships and sexual dalliances to his advantage only to ruthlessly cut them off when they became inconvenient or tiresome. The autocratic star also made a habit of working with “weak” directors and co-stars to insure his dominance in his films. Eastwood’s directing career, including the Oscar-winning films Unforgiven (1992) and Million Dollar Baby (2004), is recounted respectfully, but again Eliot focuses on the negotiations and profits rather than elucidating his style. On the other hand, the author clearly and succinctly summarizes Eastwood’s political and cinematic careers, including the history of his production company, Malpaso. His take on Eastwood’s shabby treatment of longtime girlfriend and frequent co-star Sondra Locke betrays a measure of sympathy for her position absent in his description of the star’s (many) other indiscretions.

An adequate reference work, but short on the mystique that makes Eastwood such a compelling subject.

Pub Date: Oct. 1, 2009

ISBN: 978-0-307-33688-0

Page Count: 416

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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