A glossy look behind the scenes and a satisfyingly ample memento for fans.


Dozens of those responsible for making the popular ensemble comedy, which ended in 2020, reflect on their experience in this amiable account. In his first book, journalist Freeman assembles excerpts from interviews with the show's cast, writers, directors, production team, guest stars, and two showrunners into brief chapters that roughly follow the show from conception to conclusion, leaving plenty of room for detours along the way. Those looking for dirt or gossipy details won't find them here: Most of the interviewees are polite and cautious, happy to offer up amusing anecdotes but seemingly eager to leave professional bridges unburned. However, that doesn't mean that dramatic tension is lacking. Most of it comes from the long-simmering conflict between showrunners Steven Levitan and Christopher Lloyd, who, a few episodes into the series, realized that their narrative styles and goals were so incompatible that their only solution was to take turns masterminding the episodes, which they continued to do—not without resentment and writerly feedback—for the duration of the series. While the focus is squarely on Modern Family and its cast and crew, readers curious about the making of TV shows in general, and network sitcoms in particular, will find plenty to interest them, including the process of casting a show, the mechanics of a “table read,” the construction of a temporary set, and the designing of a title sequence. Freeman occasionally dips a toe into controversy, as in a chapter featuring some of the show's female writers, who made up a very small percentage of the writing staff, reflecting on their less-than-ideal experiences. As Freeman notes, the show “gained an industry reputation…for letting women writers go or not asking them back.” Though some might wish for a stronger editing hand in chapters in which the same point is made by several different interviewees, true aficionados may be happy for the excess. A glossy look behind the scenes and a satisfyingly ample memento for fans.

Pub Date: May 19, 2020

ISBN: 978-1-250-26003-1

Page Count: 528

Publisher: St. Martin's

Review Posted Online: April 14, 2020

Kirkus Reviews Issue: May 15, 2020

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A lucid (in the sky with diamonds) look at the hows, whys, and occasional demerits of altering one’s mind.


Building on his lysergically drenched book How to Change Your Mind (2018), Pollan looks at three plant-based drugs and the mental effects they can produce.

The disastrous war on drugs began under Nixon to control two classes of perceived enemies: anti-war protestors and Black citizens. That cynical effort, writes the author, drives home the point that “societies condone the mind-changing drugs that help uphold society’s rule and ban the ones that are seen to undermine it.” One such drug is opium, for which Pollan daringly offers a recipe for home gardeners to make a tea laced with the stuff, producing “a radical and by no means unpleasant sense of passivity.” You can’t overthrow a government when so chilled out, and the real crisis is the manufacture of synthetic opioids, which the author roundly condemns. Pollan delivers a compelling backstory: This section dates to 1997, but he had to leave portions out of the original publication to keep the Drug Enforcement Administration from his door. Caffeine is legal, but it has stronger effects than opium, as the author learned when he tried to quit: “I came to see how integral caffeine is to the daily work of knitting ourselves back together after the fraying of consciousness during sleep.” Still, back in the day, the introduction of caffeine to the marketplace tempered the massive amounts of alcohol people were drinking even though a cup of coffee at noon will keep banging on your brain at midnight. As for the cactus species that “is busy transforming sunlight into mescaline right in my front yard”? Anyone can grow it, it seems, but not everyone will enjoy effects that, in one Pollan experiment, “felt like a kind of madness.” To his credit, the author also wrestles with issues of cultural appropriation, since in some places it’s now easier for a suburbanite to grow San Pedro cacti than for a Native American to use it ceremonially.

A lucid (in the sky with diamonds) look at the hows, whys, and occasional demerits of altering one’s mind.

Pub Date: July 6, 2021

ISBN: 978-0-593-29690-5

Page Count: 288

Publisher: Penguin Press

Review Posted Online: April 14, 2021

Kirkus Reviews Issue: May 1, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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