A first novel about an up-and-coming southern lawyer whose involvement in a case of serial murder makes him see just how much he's sacrificed for his high-profile firm—all of which shows mainly that, yes, they read John Grisham down south too. Clifford Nielson has given up his marriage, his family life, and his freedom for his partnership at Ramwell and Bosely and his rapacious boss Lewis Sherwood, perhaps the most famous criminal lawyer in the US. But it isn't enough, as Cliff finds when R&B is called on to assist in the defense of Travis Keith, the alleged Resort Ripper who's been killing and mutilating single women on vacation. Keith insists he's innocent, but a database that Cliff's doped out places him on the scene of virtually every one of the Ripper's 13 murders. What to do? In between tender interludes with head paralegal Kara Phillips, a female character who seems held over from another generation (``Kara was incredible that night. Sex with her was always fantastic, but this was the best time ever, with the possible exception of our first time in Montana''), Cliff ties one John F. Adamson in to the same locations, then realizes with horror that Adamson is actually—Lewis Sherwood. Is Sherwood really the Resort Ripper? Will Cliff be able to keep on Sherwood's trail without giving himself away? Will he be decoyed by the equity partnership Sherwood's dangling in front of him? What will he do if R&B closes ranks against him and freezes him out? Don't expect any serious treatment of any of these questions in the hundred pages left to run. Earnest and amateurish, especially in its falling action.
Pub Date: Oct. 14, 1993
ISBN: 0-399-13881-1
Page Count: 304
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1993
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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