by Marc McCutcheon & illustrated by Kate Kiesler ‧ RELEASE DATE: Aug. 21, 1995
On Christmas Eve, Grandpa's three-legged dog, Mr. Biggins, wanders off to chase deer on the wooded mountainside near Grandpa's cabin. Lizzie's worried; she and her grandfather decide to find the dog. Donning winter coats and snowshoes, they begin their upward hike. They hunt all day, but Mr. Biggins never shows up. As night approaches, they make a fire, cook supper, and build an igloo to keep them warm through the night. In the middle of the night, Lizzie dreamily sees Santa flying overhead, above the igloo's air hole. The next morningChristmasbig, wet dog kisses wake Lizzie up. Mr. Biggins is back, and Grandpa, who's cooking bacon over the fire, has made Lizzie a present that helps the two of them return to his cabin in record speed. Without lapsing into nostalgia, this refreshing tale offers readers a breather from the barrage of holiday commercialism. Nature, homemade gifts, and loved ones are the elements that make yuletide joy here. Kiesler's paintings, evocatively blurred by the sifting of ever-present snowflakes, capture the essence of the natural magic of this outdoor Christmas Eve. (Picture book. 5-8)
Pub Date: Aug. 21, 1995
ISBN: 0-395-69626-7
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
Share your opinion of this book
More by Marc McCutcheon
BOOK REVIEW
by Marc McCutcheon & illustrated by Jon Cannell
by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
Share your opinion of this book
by Teresa Bateman & illustrated by Jeff Shelly ‧ RELEASE DATE: Sept. 1, 2001
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
Share your opinion of this book
More by Teresa Bateman
BOOK REVIEW
by Teresa Bateman ; illustrated by Jannie Ho
BOOK REVIEW
by Teresa Bateman ; illustrated by Laura Huliska-Beith
BOOK REVIEW
by Teresa Bateman ; illustrated by Stephanie Fizer Coleman
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.