GRANDFATHER'S CHRISTMAS CAMP

On Christmas Eve, Grandpa's three-legged dog, Mr. Biggins, wanders off to chase deer on the wooded mountainside near Grandpa's cabin. Lizzie's worried; she and her grandfather decide to find the dog. Donning winter coats and snowshoes, they begin their upward hike. They hunt all day, but Mr. Biggins never shows up. As night approaches, they make a fire, cook supper, and build an igloo to keep them warm through the night. In the middle of the night, Lizzie dreamily sees Santa flying overhead, above the igloo's air hole. The next morningChristmasbig, wet dog kisses wake Lizzie up. Mr. Biggins is back, and Grandpa, who's cooking bacon over the fire, has made Lizzie a present that helps the two of them return to his cabin in record speed. Without lapsing into nostalgia, this refreshing tale offers readers a breather from the barrage of holiday commercialism. Nature, homemade gifts, and loved ones are the elements that make yuletide joy here. Kiesler's paintings, evocatively blurred by the sifting of ever-present snowflakes, capture the essence of the natural magic of this outdoor Christmas Eve. (Picture book. 5-8)

Pub Date: Aug. 21, 1995

ISBN: 0-395-69626-7

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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A lovely 20th-anniversary tribute to the towers and all who perished—and survived.

SURVIVOR TREE

A remarkable tree stands where the twin towers of the World Trade Center once soared.

Through simple, tender text, readers learn the life-affirming story of a Callery pear tree that grew and today still flourishes “at the foot of the towers.” The author eloquently describes the pre-9/11 life of the “Survivor Tree” and its heartening, nearly decadelong journey to renewal following its recovery from the wreckage of the towers’ destruction. By tracking the tree’s journey through the natural cycle of seasonal changes and colors after it was found beneath “the blackened remains,” she tells how, after replanting and with loving care (at a nursery in the Bronx), the tree managed miraculously to flourish again. Retransplanted at the Sept. 11 memorial, it valiantly stands today, a symbol of new life and resilience. Hazy, delicate watercolor-and–colored pencil artwork powerfully traces the tree’s existence before and after the towers’ collapse; early pages include several snapshotlike insets capturing people enjoying the outdoors through the seasons. Scenes depicting the towers’ ruins are aptly somber yet hopeful, as they show the crushed tree still defiantly alive. The vivid changes that new seasons introduce are lovingly presented, reminding readers that life unceasingly renews itself. Many paintings are cast in a rosy glow, symbolizing that even the worst disasters can bring forth hope. People depicted are racially diverse. Backmatter material includes additional facts about the tree.

A lovely 20th-anniversary tribute to the towers and all who perished—and survived. (author's note, artist's note) (Informational picture book. 5-8)

Pub Date: Aug. 31, 2021

ISBN: 978-0-316-48767-2

Page Count: 48

Publisher: Little, Brown

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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