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KISAENG

Writerly thriller from the author of such martial-arts epics as Gaijin, Giri, Oni, etc. Olden is master of swift, fact-crammed prose that gives a surface credibility to plots built entirely on coincidence, the philosophic structure of the Olden universe; and he is superior to just about all thriller writers for knockout characterizations and superbly whimsical dialogue whose menace and tension flatten the reader's nose to the page while snapping his fingers. Here, top Korean counterfeiter Park Song, who has some hundred-dollar plates made by the U.S. Treasury for running off untraceable bills in Asia during the Vietnam War, obsesses on very young girls whom he likes to groom as ``kisaengs'' (Korean for geisha, or ``recreational creature'') and—when he tires of them or lusts for a new sex recreation—to slash with a razor, bite viciously, and join with as or after they die. During the war Park Song met up with Manny Decker's army team and killed them but not their leader. Now Manny is a detective sergeant in the NYPD and Park Song has had Tawny DeSilva, the beauteous teenage daughter of Manny's former lover Gail, kidnapped for transport to Asia along with a cageful of nude teeners. Typical Olden description (of renegade detective Ben Dumas): ``Man had to be anxious around a dude who not only killed people but who'd once strangled a drug dealer's pit bull to death with his bare hands.'' Paced throughout are bonebreaking martial- arts nerve-paralyzers set in odd places such as the kitchen of a fancy Midtown restaurant or in an icy lake. Hard talk and eye-popping characters who cry out for film while satisfying Olden's faithful band of mainliners.

Pub Date: June 18, 1991

ISBN: 1-55611-247-5

Page Count: 352

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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