A rousing, standout series entry.
In Rainer’s (A Winter of Wolves, 2016, etc.) fifth thriller featuring federal prosecutor Jeff Trask, a U.S. senator’s suspicious death may very well be a political assassination.
Trask knows the man on the medical examiner’s table in Washington, D.C. He’s an old friend, Sherwin Graves, now a Republican U.S. senator for Georgia, who died when his car ran off the road. There was a bottle of Rohypnol pills in his pocket, which could indicate that he’d been suicidal. His prints are on the bottle, too—but the fact that someone had recently wiped it with a solvent is enough for Trask to suspect murder. A political motive is a possibility: with the U.S. Senate currently split down the middle, one fewer Republican would give the Democrats an edge. Trask, working with Detective Dixon Carter and others, ties two more deaths to the senator before bringing charges against those that he believes to be responsible. At trial, though, Trask faces his share of snags, such as having his boss, Bradley Mantee, who has no courtroom experience, as his second chair. Also, someone’s trying to ensure that a key witness doesn’t make it to the stand, which puts Trask, as a potential obstacle, in peril. Although the protagonist, a “former military guy,” has spent preceding books largely engaged in action scenes, this story places him firmly back in the courtroom. It’s a welcome return, as he shines during jury selection (what he calls “juror elimination”) or while dealing with a judge tossing pertinent evidence. The bad guys are corrupt but still human; the senator’s death, for example, stems from a plan that’s rife with blunders. There are a few other notable supporting characters, including Trask’s FBI analyst wife, Lynn, but the mystery plot remains the true focus. Along the way, Rainer adds charming touches, such as plot-relevant tunes: the Rolling Stones’ 1966 song “Paint it Black” is on the radio at the morgue, and a cynical Trask gets Aerosmith’s 2000 song “Jaded” in his head.
A rousing, standout series entry.Pub Date: Nov. 8, 2017
ISBN: 978-1-61984-849-8
Page Count: 372
Publisher: Gatekeeper Press
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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