Only time will tell if this is the definitive Bowie bio, but for now it should satisfy hardcore Ziggy freaks and most casual...

BOWIE

A BIOGRAPHY

A breezy, well-lit portrait of the ever-enigmatic rocker.

Born David Jones in 1947, David Bowie became one of the most shape-shifting artists in the history of rock ’n’ roll. From psychedelic folkie, to dramatic glamster, to blue-eyed soul crooner, to electronic new waver, to hard-rocking alterna-dude, to elder hipster statesman, Bowie is a restless—some would say contradictory—soul. A charismatic, arresting presence on both the music and social scene, the lanky Brit has always spent considerable amounts of time in the public eye. However, few know what he’s really about. Fortunately for Bowie’s multitudinous minions, veteran pop-culture scribe Spitz delivers the goods, despite his subject’s lack of participation in the making of this filmic book. The author (Nobody Likes You: Inside the Life, Turbulent Times, and Music of Green Day, 2006, etc.) takes great care in his dissection of the details of Bowie’s long, eventful career, from the highs—e.g., the success of his remarkably entertaining alter ego Ziggy Stardust—to the lows, most notably a lengthy coke bender that almost ended it all. Unauthorized biographies are often frustratingly shallow for serious fans of the book’s subject—especially when lacking new material, an original spin or a legitimate sense of enthusiasm—but Spitz’s encyclopedic knowledge and obvious appreciation for Bowie’s work separate this book from countless cookie-cutter rock stories.

Only time will tell if this is the definitive Bowie bio, but for now it should satisfy hardcore Ziggy freaks and most casual fans.

Pub Date: Nov. 1, 2009

ISBN: 978-0-307-39396-8

Page Count: 448

Publisher: Crown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2009

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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