Only time will tell if this is the definitive Bowie bio, but for now it should satisfy hardcore Ziggy freaks and most casual...
A breezy, well-lit portrait of the ever-enigmatic rocker.
Born David Jones in 1947, David Bowie became one of the most shape-shifting artists in the history of rock ’n’ roll. From psychedelic folkie, to dramatic glamster, to blue-eyed soul crooner, to electronic new waver, to hard-rocking alterna-dude, to elder hipster statesman, Bowie is a restless—some would say contradictory—soul. A charismatic, arresting presence on both the music and social scene, the lanky Brit has always spent considerable amounts of time in the public eye. However, few know what he’s really about. Fortunately for Bowie’s multitudinous minions, veteran pop-culture scribe Spitz delivers the goods, despite his subject’s lack of participation in the making of this filmic book. The author (Nobody Likes You: Inside the Life, Turbulent Times, and Music of Green Day, 2006, etc.) takes great care in his dissection of the details of Bowie’s long, eventful career, from the highs—e.g., the success of his remarkably entertaining alter ego Ziggy Stardust—to the lows, most notably a lengthy coke bender that almost ended it all. Unauthorized biographies are often frustratingly shallow for serious fans of the book’s subject—especially when lacking new material, an original spin or a legitimate sense of enthusiasm—but Spitz’s encyclopedic knowledge and obvious appreciation for Bowie’s work separate this book from countless cookie-cutter rock stories.
Only time will tell if this is the definitive Bowie bio, but for now it should satisfy hardcore Ziggy freaks and most casual fans.Pub Date: Nov. 1, 2009
ISBN: 978-0-307-39396-8
Page Count: 448
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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