Though Finger has been a known commodity to comics cognoscenti for years, this salute in his own format will make the...
It turns out that Batman—the orphaned, shadowy, well-heeled defender of an embattled Gotham—had another embarrassment of riches: two fathers.
Spend any time with Batman in DC Comics and you will have seen it: “Created by Bob Kane.” Only half true. Cartoonist Bob did come up with a prototype, but it was writer Bill Finger who fashioned Batman into the night-tripping, class-and-trash, hero-and-villain intimidator in the pointy-eared cowl whom we have come to love, the superhero without superpowers. This testament to credit due from Nobleman is seriously researched—as the six-page author’s note attests—yet light on its feet, and the artwork from Templeton has all the lush, emotive brushwork one expects from Batman. But what makes this sketch of Finger so memorable is its intimacy with the characters, the way in which it coaxes out an engaging vulnerability in Finger and, by association, with Batman. “Bob’s greatest talent may have been the ability to recognize other talent. His greatest flaw may have been the inability to honor that talent. Bill’s greatest flaw may have been the inability to defend his talent. His greatest talent was the ability to forge legends.”
Though Finger has been a known commodity to comics cognoscenti for years, this salute in his own format will make the lasting impression he deserves. (Graphic biography. 8 & up)Pub Date: July 1, 2012
ISBN: 978-1-58089-289-6
Page Count: 48
Publisher: Charlesbridge
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: June 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A mighty portrait of poverty amid cruelty and optimism.
Recounting his childhood experiences in sixth grade, Ogle’s memoir chronicles the punishing consequences of poverty and violence on himself and his family.
The start of middle school brings about unwanted changes in young Rex’s life. His old friendships devolve as his school friends join the football team and slowly edge him out. His new English teacher discriminates against him due to his dark skin (Rex is biracial, with a white absentee dad and a Mexican mom) and secondhand clothes, both too large and too small. Seemingly worse, his mom enrolls him in the school’s free-lunch program, much to his embarrassment. “Now everyone knows I’m nothing but trailer trash.” His painful home life proffers little sanctuary thanks to his mom, who swings from occasional caregiver to violent tyrant at the slightest provocation, and his white stepdad, an abusive racist whose aggression outrivals that of Rex’s mom. Balancing the persistent flashes of brutality, Ogle magnificently includes sprouts of hope, whether it’s the beginnings of a friendship with a “weird” schoolmate, joyful moments with his younger brother, or lessons of perseverance from Abuela. These slivers of relative levity counteract the toxic relationship between young Rex, a boy prone to heated outbursts and suppressed feelings, and his mother, a fully three-dimensional character who’s viciously thrashing against the burden of poverty. It’s a fine balance carried by the author’s outstanding, gracious writing and a clear eye for the penetrating truth.
A mighty portrait of poverty amid cruelty and optimism. (author’s note, author Q&A, discussion guide, writing guide, resources) (Memoir. 9-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-324-00360-1
Page Count: 208
Publisher: Norton Young Readers
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
PERSPECTIVES
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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