A powerful first novel suffering from weaknesses—winner of Germany's Ernst Willner Prize—describes the final days of WW II from two intriguingly blended viewpoints. The story's primary narrator, Hermann Karnau, is a skilled sound engineer in his late 20s who first drifts toward complicity with the Nazi war machine when he's hired to help rig up a complicated public-address system for a huge political rally. Obsessed by ``the mystery of the human voice,'' Karnau is easily enlisted in increasingly bizarre projects: ``front-line duty'' taping the sounds of combat; recording the voices of dying patients in military hospitals; and, finally, attempting to preserve for posterity the words of the FÅhrer in his bunker as Russian armies approach Berlin. More improbably, Karnau is engaged to tend the five young children of a prominent national figure (identifiable as Joseph Goebbels) whose wife is giving birth again, during which time Karnau befriends the eldest child (and precocious surrogate mother to her younger siblings), eight-year-old Helga—whose narration of the chaos that afflicts her family is juxtaposed with Karnau's story. Though the parallel stories are adroitly distinguished, Beyer waits far too long to inform the reader that Karnau is remembering his version from the vantage point of 1992, when, as a ``retired security man,'' he's obliged to explain the function of a just-discovered ``sound archive'' connected to several municipal buildings in Dresden. Helga's story, by contrast, is presented in real time, as it is happening. Nor is this technical inconsistency the only flaw. The novel is further weakened by the excess space given to Karnau's often redundant ruminations on the natures of sound and speech. Nevertheless, Beyer creates an interest in his characters and makes us fear for them, and he shapes his story toward a nerve- rattling final crescendo. A good novel that might have been a much better one.
Pub Date: Nov. 1, 1997
ISBN: 0-15-100255-X
Page Count: 288
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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