A first-rate work of graphic memoir dealing with a pivotal period in modern American history.
The early years of the Vietnam War through the eyes of a child, as rendered by the graphic artist he became.
Truong shows his command of both text and visuals, as his boyhood provides a compelling perspective on the beginnings of a war that would have such devastating impacts on Southeast Asia and America alike. The young son of a Vietnamese diplomat and the Frenchwoman that he married, “Marco” initially enjoyed an idyllic life outside Washington, D.C.: “America the Beautiful, like a Peanuts cartoon,” he remembers, though the other kids could never get his Asian ethnicity right; they thought he was Chinese or maybe Korean, having never heard of Vietnam. In boyhood games of cowboys or soldiers, he was always the “other.” As the war escalated, he found his life disrupted, and his father was reassigned to their homeland. Readers follow young Marco through a visit to his mother’s relatives in France to their Saigon return. The turmoil he experienced there paralleled the “quiet war” between his parents and the deeper disturbances that plagued his mother, who had resisted their departure from the States and found her worst fears confirmed. “In Mama’s case,” he writes, isolation and war set off this terrible mental disorder”—which the author now recognizes as a bipolar condition that was never properly diagnosed and treated. Much of the American involvement and escalation in Vietnam will be familiar to readers, though Truong seems to have no ideological ax to grind, letting the horrors of Agent Orange (“Even today…deformed children are being born because of this poison”) and the inability of American forces to compete with the Vietcong “to win the hearts and minds of the population” speak for themselves. The value is in the eyewitness accounts by a young boy who would understand more when he was older and develop the artistry necessary to render what he now understands.
A first-rate work of graphic memoir dealing with a pivotal period in modern American history.Pub Date: Nov. 1, 2016
ISBN: 978-1-55152-647-8
Page Count: 272
Publisher: Arsenal Pulp Press
Review Posted Online: Aug. 23, 2016
Kirkus Reviews Issue: Sept. 1, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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