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POPOVERS AND CANDLELIGHT

PATRICIA MURPHY AND THE RISE AND FALL OF A RESTAURANT EMPIRE

A snappy, well-researched account of a trailblazing woman.

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Biederman’s (Sismo, 1993, etc.) biography tells the story of an eccentric restaurateur.

From the 1930s to the ’60s, Patricia Murphy started several profitable restaurants in greater New York and Florida. She was, by Biederman’s account, a character; she was exacting, telling her staff to “Avoid flurried manner, even when you must work fast,” and superstitious, often crossing herself in public despite not being religious. She was also given to tall tales; she owned a plane that she falsely claimed to pilot herself. But her unparalleled business sense—evidenced in such moves as opening a restaurant in Fort Lauderdale just before it became a retirement destination—didn’t always guarantee her happiness, and Biederman illuminates her highs and lows with humor and compassion. In her earlier years, Murphy struggled to get by in New York City as a musician before investing her last few dollars in a failing Brooklyn restaurant around the start of the Great Depression. Following her initial success, she’d prove to be an expert at branding, and she advanced in the restaurant business and high society through sheer determination. Biederman’s meticulous research provides intimate details of her subject’s life, noting, for instance, that Murphy, before her success, would “pass up dinner to splurge on a twenty-five-cent bunch of daffodils.” These illustrative flourishes create a vivid narrative, anchored by interviews with Murphy’s friends, family members, and colleagues as well as letters, restaurant documents, and other primary source material. Along the way, the author offers insights into the racial dynamics of Brooklyn’s past restaurant scene, the era’s changing gender politics, and the class tensions that followed Murphy’s rise. Of particular interest is the lifelong feud that she had with her siblings, who broke away from her patronage early on to run a competing restaurant chain. Biederman follows Murphy’s life to its end in 1979,noting how time and circumstance worked together to undermine her empire.

A snappy, well-researched account of a trailblazing woman.

Pub Date: Nov. 1, 2018

ISBN: 978-1-4384-7154-9

Page Count: 268

Publisher: State Univ. of New York Press

Review Posted Online: March 6, 2019

Kirkus Reviews Issue: April 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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