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CHRISTMAS IN CORNWALL

Overall, a quiet, sweet, slow-building story of spirit, faith, family, and community and the love that binds them—but not...

A widower and his young son find a new life in a convent community of elderly nuns, which is close to the estate that’s been in their family for generations and is still home to his mother and her parents.

The book begins on Epiphany and ends the following Christmas, spanning a tumultuous year in which a tiny community of nuns hopes to be spiritually guided toward the right choices for their future, and the futures of the laypeople who are like family to them. Clem is their helper and jack-of-all-trades, and Janna is the commitment-phobic wanderer who's found an unexpected home in the community, while Jakey, Clem’s 5-year-old son, adds a generous helping of childlike wonder to the elderly women and their resident priest. Nearby, Clem’s mother, Dossie, and his aging grandparents, Pa and Mo, live at The Court, an estate that’s been in the family for generations and has, until recently, been run as a B&B. The book opens with threats to the convent from shady developers who hope to play some legal tricks on the nuns to gain control of the property without compensating its residents; and to The Court, when Dossie’s brother and his grasping girlfriend put pressure on Mo and Pa to sell the property and split the proceeds. Dossie, who has a history of bad luck in romance, becomes involved with a new, mysterious man, Rupert, throwing a wrench in Mo and Pa’s plans to have Dossie restart the B&B business and keep the property self-sustaining, intact and in the family. Over the course of the book, we see relationships tighten and mature, and hinted truths come out in both expected and unexpected ways. While the book is classified as a romance, nothing is completely settled in the end as far as the real and potential romances in the book go, and the slow pace and overt spiritual slant to the plot will leave many modern romance readers dissatisfied. For the right reader, this book has charm, appealing characterization and a sprawling, unhurried storytelling style—though Willett’s present-tense writing and occasional head-hopping may be distracting. For most contemporary romance fans, the lack of a convincing happily-ever-after ending and the not-quite-concrete plot wrap-up that speaks to more spiritually decisive conclusions, rather than romantic ones, will likely make them feel disappointed and misled by the romance designation.

Overall, a quiet, sweet, slow-building story of spirit, faith, family, and community and the love that binds them—but not really a romance.

Pub Date: Oct. 30, 2012

ISBN: 978-1-250-00370-6

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: Sept. 15, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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