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JUNK RAFT

AN OCEAN VOYAGE AND A RISING TIDE OF ACTIVISM TO FIGHT PLASTIC POLLUTION

The thrills and chills of rafting packaged with a compelling call to action.

A naturalist and environmental activist chronicles his 2008 ocean journey to draw attention to the blight of plastic waste in the world’s oceans.

Accompanied by a fellow activist and sailor, Eriksen (My River Home: A Journey from the Gulf War to the Gulf of Mexico, 2007) sailed from Los Angeles to Hawaii on the Junk, “a raft made from plastic bottles, with thirty old sailboat masts for a deck and a Cessna 310 airplane as a cabin.” The author sought to attract attention to this growing problem by imitating the path taken by trash routinely dumped into the ocean, where it is “shredded and pulverized” into microplastics. Eaten by unwitting birds and fish who mistake it for nourishment, it enters the food chain with disastrous consequences, which the author describes graphically. Examples of these hazards include the microbeads of plastic found in toothpaste and cosmetic creams and the plastic foam from insulated cups and coolers. To the extent that this problem is recognized, the plastics industry, and many conservative legislators, seeks to lay the blame on consumers who litter, refusing to take any responsibility. The book, however, is not simply a polemic. Eriksen succeeds in dramatizing a significant problem and enlisting popular support, noting some immediate steps that can be taken to create recyclable products. The author reports that advocacy groups are beginning to register success as consumers become more aware, and he gives the example of the plastic bag ban in Hawaii. Eriksen explains that one of the keys to a successful campaign is to get manufacturers to shoulder some of the blame. After 88 days on the raft, during which they fished for their daily sustenance, faced hurricane winds, and had a close encounter with another vessel, he and his partner landed safely in Hawaii with many stories of their adventures at sea.

The thrills and chills of rafting packaged with a compelling call to action.

Pub Date: July 4, 2017

ISBN: 978-0-8070-5640-0

Page Count: 224

Publisher: Beacon Press

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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