Less engaging than its predecessor, but with likable enough types to spend some time with.
After two intervening novels, Major returns to the family of his literary debut, with lukewarm results.
Myles and Marisa Moore (Good Peoples, 2000) have been married four years now, and, despite the lack of offspring (only matriarch Peggy is concerned about that), they have a happy union and successful lives. Myles’s brother Amir and his wife Kenya are kept busy with their twin girls and work—he has a barbershop, she runs a home for troubled youths—and family friends Jackie and Carlos have a new baby to dote on. With everything going right, no one seems to notice the slow disintegration of the elder Moores’ marriage. Though together for nearly 40 years and working side-by-side for almost that long (Lenny’s barbershop and Peggy’s salon share a building), the rift between them seems irrevocable. Peggy secretly suspects that Lenny is cheating on her—and Amir and Carlos have proof. Lenny is indeed having an affair, with gold-digging Stacy, but little more than rooster randiness is given as explanation for the betrayal. Peggy’s sadness and frustration are nicely depicted, making her all the more sympathetic when she throws her cheating husband out (she eavesdrops on a ribald phone conversation between Lenny and his mistress). Incorporated is a subplot of Peggy’s young niece Jasmine, living with the Moores while her mother is in jail. Jasmine, a typical surly teenager, meets Darius at the mall and romance blooms, though it becomes endangered when Kenya and Jackie find out that Darius, with a checkered past, has just been released from their group home. There’s a question whether Peggy will take Lenny back into her house and heart, but the story’s success lies less in its rudimentary plotting than in its easy conversations and believable people.
Less engaging than its predecessor, but with likable enough types to spend some time with.Pub Date: Jan. 2, 2004
ISBN: 0-525-94768-X
Page Count: 304
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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