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GOOD PEOPLES

into the territory of romantic love.

A first novel, set in African-American and Latino communities, that offers some heartfelt insights gleaned from the bumpy

road of courtship. Though nearly 30, Myles Moore has convinced himself that he’s perfectly content with his single status—as a grade-school teacher, he’s busy and surrounded by a close circle of friends, and he’s willing to forgo dating while he waits for the right woman. And in she walks at a mutual friend’s house party (the meeting is a set-up, but the skittish Myles doesn’t know it until much later); literally bumping into Myles is the beautiful, feisty Marisa Marrero. Marisa is relocating from her lucrative career as an attorney in Washington, D.C., to begin a radio talk show in Philadelphia, and Myles is more than happy to help her get settled in—going as far as to suggest she take the vacant apartment across the hall from his, allowing for an almost live-in relationship from the start. Myles, gentle and caring, is a far cry from the usual self-involved high-rollers Marisa is accustomed to, while, for him, Marisa is perfection. The problems and triumphs the two encounter are small—less the stuff of fiction than the stuff of real life. Myles is overly emotional, Marisa coldly intellectual, refusing to share anything with him, including the heartache of her childhood as a Cuban refugee. Will she learn to trust Myles—and herself? Can Myles learn patience and restraint? It’s little surprise that true love wins, the peaks and valleys of the relationship here being only slightly more significant to the novel than the witty contours of Myles" life: talkin" trash on the basketball court, raucous romantic advice being doled out by his older brother, Myles valuing the tender relationship he has with his two nieces. Major, with a gift for dialogue, creates an amiable work—though small in scale, it serves as a companionable distraction

into the territory of romantic love.

Pub Date: March 6, 2000

ISBN: 0-525-94535-0

Page Count: 272

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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