Conceptually intriguing but narratively uncompelling. Wuthering Heights it’s not.

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COLDWATER

Australian playwright McConnochie nods to the Brontës while investigating her country's convict past—in a melodramatic and muddled debut that chronicles the dangers threatening three literary daughters and their martinet father on an island penal colony.

Set in the late 1840s, the story proceeds via brief first-person accounts by Charlotte, Emily, Anne, and their father. The family once lived on a farm in the outback called Haworth, but when his only son, 13-year-old Branwell, died from thirst while exploring the bush, the grieving Captain Wolf became governor of a prison on Coldwater Island. The captain, whose qualifications for the job seem more related to plot exigencies than specific abilities, dreams of reforming prisoners and often selects a likely candidate for special treatment. But he also has a dark side, as his adoring daughters eventually learn. The tale begins just after Captain Wolf has been badly wounded in a prison uprising. Charlotte, worried about their future if he dies, suggests to her sisters that they write novels. Anne and Emily share their ideas, but Charlotte, who at 31 fears she will never marry, works on her own. Their father recovers and, to Charlotte’s alarm, takes as his valet a recently arrived Irish revolutionary prisoner, the handsome but menacing Finn O’ Connell. Naturally, the job requires Finn to spend time in the house, and sensitive, romantic Emily falls in love with him. Their relationship is discovered, Finn disappears, and the incensed Captain burns his daughters’ manuscripts. As his behavior becomes increasingly irrational and cruel, the sisters plan to leave the island: Anne with a mainland fisherman she met on the shore; Emily with Finn, when he’s rescued from solitary confinement in a planned rebellion; and Charlotte on the next supply ship. Happy endings are rare on penal colonies, however, so few survive the ensuing violence.

Conceptually intriguing but narratively uncompelling. Wuthering Heights it’s not.

Pub Date: Aug. 7, 2001

ISBN: 0-385-50260-5

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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