Conceptually intriguing but narratively uncompelling. Wuthering Heights it’s not.
Australian playwright McConnochie nods to the Brontës while investigating her country's convict past—in a melodramatic and muddled debut that chronicles the dangers threatening three literary daughters and their martinet father on an island penal colony.
Set in the late 1840s, the story proceeds via brief first-person accounts by Charlotte, Emily, Anne, and their father. The family once lived on a farm in the outback called Haworth, but when his only son, 13-year-old Branwell, died from thirst while exploring the bush, the grieving Captain Wolf became governor of a prison on Coldwater Island. The captain, whose qualifications for the job seem more related to plot exigencies than specific abilities, dreams of reforming prisoners and often selects a likely candidate for special treatment. But he also has a dark side, as his adoring daughters eventually learn. The tale begins just after Captain Wolf has been badly wounded in a prison uprising. Charlotte, worried about their future if he dies, suggests to her sisters that they write novels. Anne and Emily share their ideas, but Charlotte, who at 31 fears she will never marry, works on her own. Their father recovers and, to Charlotte’s alarm, takes as his valet a recently arrived Irish revolutionary prisoner, the handsome but menacing Finn O’ Connell. Naturally, the job requires Finn to spend time in the house, and sensitive, romantic Emily falls in love with him. Their relationship is discovered, Finn disappears, and the incensed Captain burns his daughters’ manuscripts. As his behavior becomes increasingly irrational and cruel, the sisters plan to leave the island: Anne with a mainland fisherman she met on the shore; Emily with Finn, when he’s rescued from solitary confinement in a planned rebellion; and Charlotte on the next supply ship. Happy endings are rare on penal colonies, however, so few survive the ensuing violence.
Conceptually intriguing but narratively uncompelling. Wuthering Heights it’s not.Pub Date: Aug. 7, 2001
ISBN: 0-385-50260-5
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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