Krügel knows her way around both the salty and sweet of marriage and motherhood.


A woman juggles domestic calamities while trying to avoid a more serious crisis in German author Krügel's first novel to be translated into English.

Katharina lives near Lübeck on Germany’s Baltic coast, but her tone of wryly comic exasperation closely resembles that of popular frazzled working-mother heroines from Britain, Australia, and the U.S. A part-time music teacher, Katharina has been carrying most of the responsibility for care of her household and two children—Helli, a stubborn and emotionally chaotic 11-year-old recently diagnosed with ADHD, and 17-year-old Alex, whose joyful immersion in musical theater feels to his classically trained mother like rebellion—ever since economic necessity forced her architect husband, Costas, to take a job in Berlin. For more than a year he has come home only on weekends, a situation she understands yet resents. This weekend he’s staying in Berlin for his office Christmas party, and Katharina has declined an invitation to join him. Instead she’s planned her first visit in 15 years from musician and former flatmate Kilian, her platonic best friend before she met Costas. But the day goes awry early when Katharina must collect Helli from school after one of the girl's explosive, semi-intentional nosebleeds. Various crises follow. Katharina helps her neighbors Theo and Heinz search for the thumb Theo’s cut off while tinkering with the lawnmower. Alex—whom Katharina thought was gay—introduces his annoyingly perfect girlfriend. Helli has a major meltdown on horseback. Katharina’s musician sister demands help with her failing love life. Katharina gets dangerously drunk with Kilian. The pet rats escape. It all reads like a domestic romp except for the darker fears and regrets that Katharina can't quite escape, like a third baby in her past or the fact that she’s yet to make a doctor’s appointment or tell Costas about the lump she’s found in her breast.

Krügel knows her way around both the salty and sweet of marriage and motherhood.

Pub Date: Dec. 11, 2018

ISBN: 978-1-925603-35-4

Page Count: 304

Publisher: Text

Review Posted Online: Oct. 2, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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