An uplifting variation of the Nativity story.
Leah, the daughter of an innkeeper, leaves the busy Bethlehem market and notices a silver star above her home; might the shining beacon herald something wonderful?
Roman emperor Augustus has called for a census of the entire Roman world, and many people crowd the streets of Bethlehem in order to be counted. Mesmerized by the bright star, Leah accidentally bumps into the donkey of two pilgrims. The man, Joseph, and his pregnant wife, Mary, are in need of a place to safely deliver their baby. When Leah’s father notices the woman’s condition, he offers the couple the use of his stable and calls for a neighbor to help Mary. After the baby is born, Leah marvels at the shepherds who visit the child claiming that angels told them he was their long-awaited king and at scholars (not magi) who travel a great distance to present the infant with gifts fit for a king. Though Leah does not factor into the biblical account of the Nativity, readers familiar with the story will find its integrity intact and Leah an accessible, credible witness. The painterly illustrations are presented in cool, vivid colors, depicting the characters with olive skin and dark hair. The characters' faces are expressive, especially the final image of Leah with the baby Jesus. This book pairs well with Katherine Paterson and Lisa Aisato’s The Night of His Birth (2019).
An uplifting variation of the Nativity story. (Picture book. 4-7)Pub Date: Dec. 1, 2021
ISBN: 978-1-68464-224-3
Page Count: 48
Publisher: Kane Miller
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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