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VOYAGEURS

A stunning work of historical fiction, with many points of comparison to Canadian Guy Vanderhaeghe’s The Last Crossing.

A young Englishman’s North American adventure during the War of 1812.

In a preface, Scottish author Elphinstone (The Sea Road, 2001, etc.), grandniece of James Fenimore Cooper, identifies her narrative as a memoir written some 20 years after the events it records by her protagonist, Lakeland Quaker farmer Mark Greenhow. It’s the story of his journey to “Upper (i.e., eastern) Canada” in search of his sister Rachel, excommunicated by the Society of Friends after she had fled from a mission in York with her non-Quaker lover and eventual husband Alan Mackenzie, an employee of the bustling North West trading company. The illusion of a past time is beautifully sustained by Elphinstone’s detailed re-creations of indigenous (mostly Native Canadian and American) period detail, and by her narrator’s reserved and wondering voice, whose lilting, dignified rhythms perfectly capture his unshakeable goodness and innocence. Mark’s adventures take him not only across Canada’s vast expanse with the “voyageurs” who transport furs for sale but into broader understandings of his sister’s courageous and rebellious spirit, and of the integrity and value of cultures completely alien to all he knows: those of the native tribes caught up in the burgeoning war between old England and young America. Even more to the point are Mark’s evolving relationships with his half-French, half-Indian guide and mentor Loic, as well as with the elusive Alan Mackenzie, whose uncertain loyalties to both Rachael and his supposed political allies open the ingenuous Quaker’s eyes to moral complexities he grows to understand and acknowledge (e.g., asking himself “whether a man should be held guilty of a sin that is entirely invisible to his own conscience”). His voyage is thus a passage to greater wisdom, tolerance, and wholeness.

A stunning work of historical fiction, with many points of comparison to Canadian Guy Vanderhaeghe’s The Last Crossing.

Pub Date: Aug. 17, 2004

ISBN: 1-55278-375-8

Page Count: 466

Publisher: Canongate

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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