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THE UNKNOWN BRIDESMAID

A carefully considered character study that digs deep to explore the ways the past can shade and shape the present.

In this dark, disquieting novel, veteran British writer Forster (Isa & May, 2011, etc.) toggles back and forth in time to explore the enduring effects of guilt on a child psychologist whose own difficult youth casts an unshakeable shadow across her adult life.

Julia spends her days interviewing troubled children in her clinic, trying to tease out the truth in conflicting stories and the root causes of problematic behavior, but in fact, she understands these children more than anyone may be aware. Though she appears to others a model of maturity—a hard worker, a homeowner, a newly appointed magistrate—she carries with her the unresolved conflicts, unanswered questions, unshared secrets and unspoken confessions of her own uneasy youth. Julia has followed a path of poor choices, either unable or unwilling to turn back or change course, ever since, at age 8, she was invited to serve as a bridesmaid at the wedding of her beautiful cousin Iris. She has acted cruelly, stolen casually, lied calculatedly, refused to acknowledge kindness and concern—and her actions have taken a toll. But did Julia, as a little girl, kill Iris' baby? And, even as she helps others correct course, will she ever find the resolve to go back and correct her own? These questions underpin Forster's patchwork narrative—and in a sense weigh it down and limit its scope. The accomplished author reaches deep to explore hidden truths and raises issues about resolving past conflicts, but in contending with these topics, somewhat heavy-handedly, she doesn't cover much territory. Thin on plot, the book may be best regarded as a character study carrying lessons about facing one's past, righting one's wrongs and using one's experience to help others. That message alone may resonate with some readers.

A carefully considered character study that digs deep to explore the ways the past can shade and shape the present.

Pub Date: Sept. 2, 2014

ISBN: 978-1-60945-222-3

Page Count: 256

Publisher: Europa Editions

Review Posted Online: July 23, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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