Harrell’s memoir details her relationships with Hunter S. Thompson, Milton Klonsky and Jan Mensaert, and how these partners influenced her life by the way in which they lived their own.
Harrell (Toward a Philosophy of Perception, 2005, etc.) becomes acquainted with the self-styled “Gonzo” journalist Thompson while helping to edit his first book, Hell’s Angels (1967). She meets the Belgian poet Jean-Marie (Jan) Mensaert by chance outside a coffeehouse in Marrakech, and she discovers New York poet Milton Klonsky in a West Village bistro. Though disparate in age, temperament and locale, all three attracted the author because of her sense that they symbolized the zeitgeist of the 1960s and the coming post-modern era. Each man was fiercely individualistic, consciously deciding to live on his own terms in his life and work. For their part, all were physically attracted to Harrell, as well as finding in her a kindred spirit. Her relationship with Thompson is the only one that ever becomes, for a brief period, physical. Harrell’s deep emotional attachment to the men sometimes undermines her explanations about why she thought each of them possessed genius. There is scant example of their actual writing, the focus being on their struggles—with varying degrees of success—to be properly acknowledged for it. Trying to describe how she knew the men were important writers, she resorts to language like “falling into vibrations” in their presence or quotes bits of conversations she had with them. For instance, Klonsky tells her, “Write it, your life, as you would write a novel.” Still, there is a sense in which her personal, subjective approach is often effective; the reader comes to feel an affinity with the trio of writers in their attempts to achieve their iconoclastic visions of success, glimpsing them as individuals beyond their work, seeing how they think. Their genius, for Harrell, consisted of their being wholly themselves. Memoir will likely please Hunter S. Thompson fans and appeal to readers with an interest in the beginnings of the post-modern era or the personal sacrifices involved in bringing serious written work to fruition.
Pub Date: Sept. 20, 2011
ISBN: 978-0983704508
Page Count: 258
Publisher: Saeculum University Press
Review Posted Online: Feb. 17, 2012
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Categories: GENERAL FICTION | FAMILY LIFE & FRIENDSHIP
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