British author Leroy’s US debut starts strong, creating delicious uncertainty about the heroine, but eventually settles for...
Mother battles the medical establishment when her child comes down with a mysterious illness—in this indictment of the British health care system.
At 13, artistically gifted Catriona Lydgate was abandoned by her alcoholic mother and placed in institutional care. In her 20s, Catriona met Richard, the divorced, debonair father of one of her charges at the preschool where she worked. Now happily middle-class and married to Richard, Catriona is disturbed when she starts receiving beseeching postcards from her mother in Berlin. Around the same time, Catriona’s eight-year-old daughter Daisy comes down with a debilitating stomach flu she can’t seem to shake. The family GP doesn’t take the illness very seriously, clearly considering Catriona an overly protective, hysterical mother. But after Catriona’s repeated prodding, the GP reluctantly refers the child to a pediatrician who also clashes with Catriona. Soon the doctors are proposing that she is at least part of the problem, if not its cause (Munchausen by Proxy is bandied around). At first Richard seems fairly supportive, but when Cat, increasingly angry and defensive, demands that he go along with hiding her bad childhood from the authorities, his understanding falters. Support arrives—of course—in the form of another attractive divorced father, an Irish journalist who has recently moved into the neighborhood. He takes Catriona’s side unquestioningly. As Cat becomes ever more driven, Leroy gives her daily life a lurking undertone of menace that adds an element of psychological mystery. Although Catriona is eventually vindicated, for long stretches she is no clear-cut heroine, but a woman still in the thrall of early demons; we can understand why Richard (who is too easily discounted as a philanderer) and the doctors would suspect her tendencies toward paranoia and obsessiveness.
British author Leroy’s US debut starts strong, creating delicious uncertainty about the heroine, but eventually settles for pat answers and easy romance.Pub Date: Aug. 11, 2003
ISBN: 0-316-73813-1
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2003
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
