An invisible friend from the 31st century turns out to be less help against the bully next door than a hopeful fifth-grader would like in this entertaining floater from the author of Oyster Moon (1996). As if Hoby Hobson doesn’t have enough worries, between his 8½-months pregnant mother and hulking Hammerhead Jones’s promise to sauté or fillet him sometime very soon, up pops jumpsuit-clad Zircus Orflandu, a thousand years off course after hitting the wrong control in his dad’s new space/time cruiser. Zirc comes with a personal dematerializer that only works intermittently—a comic device that, coupled with his ignorance of 21st-century ways, Meacham milks mercilessly as the two lads stumble into complications with practically every step. In an unlikely but satisfying climax, Hammerhead (“ ‘one galactic dworb,’ ” to use Zirc’s colorful phrase) is knocked down, tied up, and then grounded for bad behavior, after which Zirc takes off futureward and Hoby gets a baby brother to cherish. Not quite another Little Prince, perhaps, but young sitcom fans will be heartily amused. (Fiction. 10-12)
Pub Date: Oct. 15, 2001
ISBN: 0-8234-1651-8
Page Count: 80
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
BOOK REVIEW
BOOK REVIEW
A didactic blueprint disguised as a supernatural treasure map.
A girl who delights in the macabre harnesses her inherited supernatural ability.
It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.
A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)Pub Date: Aug. 10, 2021
ISBN: 978-0-06-304460-9
Page Count: 288
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
A work of heavy, realistic fiction told with oddball humor, honesty, and heart.
When Korean-American Ok Lee loses his father in a construction accident, he and his mom must fend for themselves financially while quietly grieving.
Middle schooler Ok watches as his mother takes on multiple jobs with long hours trying to make ends meet. Determined to help, he sets his sights on his school’s talent show. The winner takes home $100 in cash, enough to pay the utilities before they get cut off. His search to find a bankable talent is complicated by unwanted attention from bully Asa, who’s African-American, and blackmail at the hands of a strange classmate named Mickey, who’s white. To make matters worse, his mother starts dating Deacon Koh, “the lonely widower” of the First Korean Full Gospel Church, who seems to have dubious motives and “tries too hard.” Narrator Ok navigates this full plot with quirky humor that borders on dark at times. His feelings and actions dealing with his grief are authentic. Most of the characters take a surprising turn, in one way or another helping Ok despite initial, somewhat stereotypical introductions and abundant teasing with racial jokes. Although most of the characters go through a transformation, Ok’s father in comparison is not as fleshed-out, and Asa’s African-American Vernacular English occasionally feels repetitive and forced.
A work of heavy, realistic fiction told with oddball humor, honesty, and heart. (Fiction. 10-12)Pub Date: Oct. 9, 2018
ISBN: 978-1-5344-1929-2
Page Count: 288
Publisher: Atheneum
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
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