The personal and the political recollected with honesty and passion. (b&w photos throughout)
From poet and novelist Piercy (Three Women, 1999, etc.), a beguilingly frank account of a fully engaged life, shared with cats.
Detailing the changes that have roiled society since the Depression, as well as her relationships with family, friends, and lovers, Piercy provides a vivid, if unanalyzed, historical and personal record of the late-20th century. Paralleling her own story are those of the cats she has known through her life: sweet-natured Fluffy, vindictively poisoned in her adolescence; difficult but beautiful Jim Beam; and her four current cats, two Korats and two tabbies. Like all cat lovers, Piercy celebrates the animals’ intelligence, loyalty, and sensitivity as she interweaves their destinies with hers. She begins with her early years in a tough Detroit neighborhood. Only child Piercy was alienated from both her Jewish mother and her gentile father while growing up, though she later became closer to her elderly mother. Young Marge belonged to a gang, carried a knife, and had numerous sexual relationships. Her parents didn’t want her to go to college, but with scholarships and money she earned working, she went off in the late 1950s to the University of Michigan. There, she won writing prizes and met her first husband, but was soon divorced. She subsequently lived in San Francisco, Boston, and New York, acquired a second husband, and, as the Vietnam War heated up, threw herself into antiwar protests. She was a prominent member of the SDS, injuring her back in encounters with the police, but after becoming increasingly soured by the New Left’s attitude toward women, she joined the burgeoning feminist movement and lived in an open marriage. Times changed: finding politics too demanding, Piercy moved to Cape Cod, where she still lives with her third husband—and the cats. Recognizing writing as “the real core” of her life, she now puts it first.
The personal and the political recollected with honesty and passion. (b&w photos throughout)Pub Date: Jan. 1, 2001
ISBN: 0-06-621115-8
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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