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THREE WOMEN

Three generations, three strong wills, and the never-resolved conflicts within a family are the bedrock of this latest from the wide-ranging Piercy (Storm Tide, 1998, etc.). The women of the title, reunited by unfortunate circumstances, have to struggle through physical and emotional impediments to reach an understanding, and with it an uneasy peace. In the eye of this familial tempest stands Suzanne, a successful appeals-court attorney and law professor, enjoying midlife solitude in suburban Boston, complete with a harmless online romance, after raising two daughters largely by herself. The first winds of change blow back into Suzanne’s life her beautiful but unsettled child Elena, in her late 20s and freshly jobless and homeless, still reeling from an adolescence marred by tragedy. Scarcely has Elena settled in when Beverly, Suzanne’s labor-organizer mother, who heaped scorn on her daughter’s lifestyle and choice of profession, has a stroke that overnight turns her from an energetic, free-thinking woman proud of her looks and her life on Manhattan’s Upper West Side, into a speechless cripple. Suzanne brings Beverly home to live with them, and tries to juggle work, family, and the intense pleasure of a new physical relationship with her online partner, Jake. But Elena’s way of settling in is to start an ill-fated affair with the husband of Suzanne’s best friend, with whom they share the house, and when the transgressors are discovered in the act, the ensuing rage of emotions brings on Beverly’s second stroke. As Suzanne watches helplessly while her savings are converted to convalescent care, Beverly, convinced she won't recover, makes increasing demands on daughter and granddaughter to help her to die. While the tempestuous turns occasionally prove excessive, the tangled relationships here are credible to the core, with the voices of the older generations being especially poignant.

Pub Date: Oct. 1, 1999

ISBN: 0-688-17106-0

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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NIGHT SHIFT

Twenty New England horror shorts by Stephen King (and a painfully lofty introduction by old pro John D. MacDonald). King, of course, is the 30-year-old zillionaire who poured the pig's blood on Carrie, woke the living dead in 'Salem's Lot, and gave a bad name to precognition in The Shining. The present collection rounds up his magazine pieces, mainly from Cavalier, and also offers nine stories not previously published. He is as effective in the horror vignette as in the novel. His big opening tale, "Jerusalem's Lot"—about a deserted village—is obviously his first shot at 'Salem's Lot and, in its dependence on a gigantic worm out of Poe and Lovecraft, it misses the novel's gorged frenzy of Vampireville. But most of the other tales go straight through you like rats' fangs. "Graveyard Shift" is about cleaning out a long unused factory basement that has a subbasement—a hideous colony of fat giant blind legless rats that are mutating into bats. It's a story you may wish you hadn't read. You'll enjoy the laundry mangle that becomes possessed and begins pressing people into bedsheets (don't think about that too much), a flu bug that destroys mankind and leaves only a beach blanket party of teenagers ("Night Surf"), and a beautiful lady vampire and her seven-year-old daughter abroad in a Maine blizzard ("One for the Road"). Bizarre dripperies, straight out of Tales from the Crypt comics. . . a leprous distillation.

Pub Date: Jan. 20, 1977

ISBN: 0385129912

Page Count: 367

Publisher: N/A

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1977

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THE ISLAND

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It”...

Queen of the summer novel—how could she not be, with all her stories set on an island—Hilderbrand delivers a beguiling ninth (The Castaways, 2009, etc.), featuring romance and mystery on isolated Tuckernuck Island.

The Tate family has had a house on Tuckernuck (just off the coast of swanky Nantucket) for generations. It has been empty for years, but now Birdie wants to spend a quiet mother-daughter week there with Chess before Chess’s wedding to Michael Morgan. Then the unthinkable happens—perfect Chess (beautiful, rich, well-bred food editor of Glamorous Home) dumps the equally perfect Michael. She quits her job, leaves her New York apartment for Birdie’s home in New Canaan, and all without explanation. Then the unraveling continues: Michael dies in a rock-climbing accident, leaving Chess not quite a widow, but devastated, guilty, unreachable in the shell of herself. Birdie invites her younger daughter Tate (a pretty, naïve computer genius) and her own bohemian sister India, whose husband, world-renowned sculptor Bill Bishop, killed himself years ago, to Tuckernuck for the month of July, in the hopes that the three of them can break through to Chess. Hunky Barrett Lee is their caretaker, coming from Nantucket twice a day to bring groceries and take away laundry (idyllic Tuckernuck is remote—no phone, no hot water, no ferry) as he’s also inspiring renewed lust in Tate, who has had a crush on him since she was a kid. The author jumps between the four women—Tate and her blossoming relationship with Barrett, India and her relationship with Lula Simpson, a painter at the Academy where India is a curator, Birdie, who is surprised by the recent kindnesses of ex-husband Grant, and finally Chess, who in her journal is uncoiling the sordid, sad circumstances of her break with normal life and Michael’s death.

Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It” beach book of the summer.

Pub Date: July 6, 2010

ISBN: 978-0-316-04387-8

Page Count: 416

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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