Though sometimes buckling under its own weight, this sprawling tale will charm fans of historical romance.
When Mauro Larrea is bankrupted by a business deal shattered by the American Civil War, he embarks on a great adventure to build his fortunes anew.
From Mexico City to Havana to Jerez de la Frontera, Spain, Dueñas’ (The Heart Has Its Reasons, 2012, etc.) sweeping tale of fortunes made and lost abounds with dramatic characters and operatic plot twists. Damsels in distress, devious femme fatales, conniving gamblers—all beset Mauro on his quest to make enough money in four months to pay off the uxorious moneylender Tadeo Carrús. Mauro is a self-made man, shaped by working the silver mines of Mexico. Tenacious and shrewd, he swiftly learned how to gamble on shady financing that enabled him to found his own companies. Losing everything doesn’t frighten Mauro. Yet at 47, he has more than himself to worry about: his daughter, Mariana, can fend for herself, concealing the bankruptcy from her mother-in-law, the Countess of Colima, until Mauro’s fortunes turn again, but his son, Nicolás, has not yet married Teresita, the daughter of Don Gorostiza, and the scandal may ruin his prospects. Mauro’s plans to seek a lucrative business deal in Cuba are complicated immediately by the Countess’ meddling and by Don Gorostiza’s insistence that Mauro deliver a small fortune to his sister, Carola. Carola wants Mauro to secretly invest it for her in an unsavory deal, but Mauro balks. Meanwhile, her husband, Zayas, challenges him to a duel at the billiard table. At stake are access to Carola and the possession of an estate and vineyard in the south of Spain, an estate Zayas inherited from his cousin Luisito, who died abruptly. Soon Mauro owns the estate, which introduces him to not only the bewitching and enigmatic Soledad Montalvo, but also the mysteries of the Montalvo-Gorostiza family saga.
Though sometimes buckling under its own weight, this sprawling tale will charm fans of historical romance.Pub Date: Oct. 3, 2017
ISBN: 978-1-5011-2453-2
Page Count: 544
Publisher: Atria
Review Posted Online: Aug. 7, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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