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FIRST PERSON FEMALE

A MEMOIR

With a bang and a whimper—and a yawn.

“Learning to walk with crutches has an otherworldly component.” So writes Flook (Mothers and Lovers, 2014, etc.) in one of the occasional G-rated passages in this lurid but limping memoir.

Have we lost our ability to be shocked? When the author confesses to having had sex with her brother (“no penetration”), the men in the room with her at the time leer, but those of us outside the fourth wall are likely to do nothing more than blink. Flook also tells about the time she had sex with three French sailors in rapid succession; “sisterly masturbation” with another woman writer; and an affair with her editor. The author insists that her development as a writer, the ostensible subject of the piece, is bound up so closely with her sex life that the two can’t be separated, but every time she aims to épater le bourgeois, it falls flat. Were the memoir by a writer of greater renown, some of this literary-sex-nexus stuff might be of interest, but as presented here, it’s mechanical, clinical, and mostly just tedious. (There are admittedly a couple of memorable moments, one of them when a sex addict with a violent streak winds up as a writer of Hallmark Cards.) More interesting are Flook’s portraits of her mother—suffice it to say that the old acorn and oak metaphor comes to mind—and gravely ill son, both of whom illustrate a point: the author writes deeply and well when the lens is on someone else and the topics at hand, such as death and literary rivalry, are more serious, all of which happen less often than one might like. Still, if lines like, “it’s a delicious weakness that I welcome each time a man nudges my legs open” make you go all a-tremble, then this is just the ticket, though Erica Jong probably has nothing to worry about.

With a bang and a whimper—and a yawn.

Pub Date: Jan. 1, 2018

ISBN: 978-1-57962-515-3

Page Count: 368

Publisher: Permanent Press

Review Posted Online: Nov. 11, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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