Goodin’s debut about a woman who prefers to look at the world through rose-colored glasses and a daughter who views everything in terms of black and white blends humor and inspiration but may leave some readers feeling half-full.
Meg May recalls few specifics about her early childhood, but she does remember the whimsical details provided by her mother, Valerie. According to her mom, Meg is the daughter of a pastry chef who died in a terrible pastry-mixing accident; Meg clucked like a chicken when she was born; the small scar on Meg’s face was caused by a crab cake, which bit her; and when she was a year old, she climbed into a freezer and had to defrost in a tub of hot water for two hours. Meg believed these and many more stories until she was 8 years old and wrote about her earliest memory, which she read to her class. Humiliated by her peers’ laughter when she recounted how her mother chased running beans throughout the kitchen, thereafter Meg rejected any element of make-believe and turned toward science as an orderly, logical way to view the world. Now grown, Meg leaves her studies at Leeds University to care for Val during the final stages of her cancer, and she realizes that this may be her last chance to learn the truth about her past. But Valerie won’t even admit she’s ill, much less acknowledge that her tales are nothing more than fantasy. A story about understanding and compassion and how people often distort the truth to protect themselves and others, Goodin’s narrative contains moments of eloquence, wit and sensitivity, but it’s difficult to ignore the overall saccharine tone of the novel and its fairy-tale characters: Ewan, the pure-hearted hero who communicates with plants and animals; Meg, the beautiful young damsel in distress who finds herself slowly drawn into Ewan’s orbit; Mark, the unpleasant, regimented and controlling boyfriend who pushes Meg to confront her mother; Val, the free-spirited, generous and loving woman who lives in her own world; the members of the band Chlorine; the buffoonish, lovable dwarves—er, men—who’ve never grown up.
Somewhat enjoyable.Pub Date: April 9, 2013
ISBN: 978-1-4022-7948-5
Page Count: 400
Publisher: Sourcebooks Landmark
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Categories: FAMILY LIFE & FRIENDSHIP
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Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 6, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | SUSPENSE | FAMILY LIFE & FRIENDSHIP | SUSPENSE
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A love letter to the power of books and friendship.
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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Categories: GENERAL FICTION | HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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