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FROM THE KITCHEN OF HALF TRUTH

Somewhat enjoyable.

Goodin’s debut about a woman who prefers to look at the world through rose-colored glasses and a daughter who views everything in terms of black and white blends humor and inspiration but may leave some readers feeling half-full.

Meg May recalls few specifics about her early childhood, but she does remember the whimsical details provided by her mother, Valerie. According to her mom, Meg is the daughter of a pastry chef who died in a terrible pastry-mixing accident; Meg clucked like a chicken when she was born; the small scar on Meg’s face was caused by a crab cake, which bit her; and when she was a year old, she climbed into a freezer and had to defrost in a tub of hot water for two hours. Meg believed these and many more stories until she was 8 years old and wrote about her earliest memory, which she read to her class. Humiliated by her peers’ laughter when she recounted how her mother chased running beans throughout the kitchen, thereafter Meg rejected any element of make-believe and turned toward science as an orderly, logical way to view the world. Now grown, Meg leaves her studies at Leeds University to care for Val during the final stages of her cancer, and she realizes that this may be her last chance to learn the truth about her past. But Valerie won’t even admit she’s ill, much less acknowledge that her tales are nothing more than fantasy. A story about understanding and compassion and how people often distort the truth to protect themselves and others, Goodin’s narrative contains moments of eloquence, wit and sensitivity, but it’s difficult to ignore the overall saccharine tone of the novel and its fairy-tale characters: Ewan, the pure-hearted hero who communicates with plants and animals; Meg, the beautiful young damsel in distress who finds herself slowly drawn into Ewan’s orbit; Mark, the unpleasant, regimented and controlling boyfriend who pushes Meg to confront her mother; Val, the free-spirited, generous and loving woman who lives in her own world; the members of the band Chlorine; the buffoonish, lovable dwarves—er, men—who’ve never grown up.

Somewhat enjoyable.

Pub Date: April 9, 2013

ISBN: 978-1-4022-7948-5

Page Count: 400

Publisher: Sourcebooks Landmark

Review Posted Online: Jan. 19, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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