A touching story of attachment to a beloved, troubled place.
In her debut novel, Lynch writes about the injustice of colonial rule and institutionalized segregation through the story of a young Goan tailor who moves to Africa.
As the novel opens in Goa in 1913, Sabby Mendes is a 15-year-old tailor’s apprentice. Hearing of people leaving Goa for East Africa, Sabby decides to try his chances in Kenya. Perhaps to reflect his youth, Sabby’s first-person thoughts are given in simplistic, sometimes clichéd language. For instance, he justifies his choice of Kenya with “it would be different, and I was ready to try something that was not like Goa.” He settles in Nairobi, where he eventually opens a tailoring business. He thrives professionally but remains lonely; luckily, it’s love at first sight for him and Trinia, the Goan woman his parents choose for his arranged marriage. Lynch successfully weaves in momentous historical events—Princess Elizabeth’s visit to Kenya, the Mau Mau Uprising, and Africanization under Jomo Kenyatta—as well as technological and cultural shifts. Best of all, she gives a strong sense of life in a three-tiered racial hierarchy: colonizers at the top, then Asians, and Africans at the bottom. Train cars are segregated, and Goans give up their seats at Sunday Mass to let Europeans sit in front. Racism is an unfortunate reality that only hits home for Sabby when his youngest daughter wanders onto a whites-only beach. The book’s scope is perhaps too wide, however, necessitating awkward indications of time passing. The insistent chronology seems more appropriate to a family memoir. Lynch grew up in post–World War II Nairobi, so likely this novel has autobiographical elements. A plodding pace and some punctuation problems don’t overly distract from the elegiac tone that follows a late bereavement and Sabby’s sense of displacement as more and more Goans, including his children, accept British passports and emigrate. He insists “my heart is here in Kenya,” and the tender finale proves it.
A touching story of attachment to a beloved, troubled place.Pub Date: Nov. 6, 2015
ISBN: 978-1-4602-7485-9
Page Count: 282
Publisher: FriesenPress
Review Posted Online: Dec. 30, 2015
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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