A fearless and laser-focused novel of the future that will entertain and trouble readers, by turns.
In Vetrano’s debut SF novel, a legendary Tudor queen is transported to 21st-century America to save the country—and the world—from certain ruin.
It’s 2027, and with a presidential election looming, Dakota Wynfred, the billionaire CEO of a cutting-edge cybersecurity company, feels compelled do something radical to save America’s crumbling democracy. With the incumbent President Vlakas in the White House—whom Wynfred, the child of committed social activists, describes as “a xenophobic misogynist racist anti-science whackadoodle”—it seems possible that the country won’t survive another four years of chaos. Partnering with some of the most brilliant minds in the world, Wynfred discovers a way to travel back and forth in time. The group’s plan is as ambitious as it is unlikely: to go back to Tudor England with a small team of scholars and period experts and persuade Queen Elizabeth I, who ruled England, Ireland, and Wales from 1558 to her death in 1603, to run for president of the United States in 2028. Although the premise is wildly audacious, Vetrano handles all the details with intelligence and insight, from fixing the queen’s blackened teeth to educating her on 21st-century politics and culture. Straight, white Wynfred’s diverse circle of friends—which includes a gay man and a Black woman—offers up additional learning opportunities for the queen. Humorous moments abound as the monarch, in 21st-century Massachusetts, discovers toasters, Nike running shoes, weekly microdermabrasion treatments, and The Bachelorette. However, the book’s obvious thematic power comes from its portrayal of a looming dystopia in which the landscape of America is radically changed by policy-backed bigotry, a lack of environmental protections, book banning, and other actions engineered by the Vlakas administration. Although this story’s conclusion could have had much more impact, the author’s decision to end the story where she does will leave readers deeply contemplative.
A fearless and laser-focused novel of the future that will entertain and trouble readers, by turns.Pub Date: Oct. 15, 2024
ISBN: 9798888456897
Page Count: 336
Publisher: Regalo Press
Review Posted Online: Feb. 3, 2025
Kirkus Reviews Issue: April 1, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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