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MISSING DADDY

This straightforward consideration of children affected by the imprisonment of family members is necessary.

A little girl reflects on missing her incarcerated father.

An opening epigraph shares that “Each and every family is unique.…We can feel loved, even when the world puts up a wall,” setting the tone for a story that shows the protagonist growing up with the knowledge that her father is in prison. She was 3 when he went away and works through questions about his absence in conversation with Grandma while wishing for a relationship with her older, faraway sister, talking to her counselor, and looking forward to the next visiting day when she’ll see her daddy. The illustrations feature simple line drawings in muted earth tones with textured lines to create dynamic hairstyles, locs, short Afros, and high buns, that frame the various hues of brown skin on the characters’ faces. Charming and heart-wrenching details in the flights of fireflies, bordered pictures in a photo album, and even the expression of the little girl when a classmate whispers, “You know your daddy’s a criminal so that makes you one,” highlight the angst and resilience of the little girl. Unfortunately, the uneven rhyme scheme pulls attention away from the effective storytelling of the illustrations and emphasizes the lack of cohesive narrative movement. An author’s note provides more context and statistics for the story.

This straightforward consideration of children affected by the imprisonment of family members is necessary. (discussion guide) (Picture book. 5-9)

Pub Date: Sept. 3, 2019

ISBN: 978-1-64259-036-4

Page Count: 32

Publisher: Haymarket Books

Review Posted Online: July 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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